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	<title>Comments on: Mumbling in Suburbia: The Films of Kentucker Audley and Frank V. Ross</title>
	<atom:link href="http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/</link>
	<description>Daily coverage of what is truly interesting in the film world</description>
	<pubDate>Sat, 05 Jul 2008 02:19:46 +0000</pubDate>
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		<title>By: Present Company at Toronto Screen Shots</title>
		<link>http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-81595</link>
		<dc:creator>Present Company at Toronto Screen Shots</dc:creator>
		<pubDate>Tue, 04 Mar 2008 05:36:00 +0000</pubDate>
		<guid isPermaLink="false">http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-81595</guid>
		<description>[...] Karina Longworth places the earlier films of Frank V. Ross into context with the other &#8220;m-word... [...]</description>
		<content:encoded><![CDATA[<p>[...] Karina Longworth places the earlier films of Frank V. Ross into context with the other &#8220;m-word&#8230; [...]</p>
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		<title>By: Eric</title>
		<link>http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-568</link>
		<dc:creator>Eric</dc:creator>
		<pubDate>Mon, 27 Aug 2007 18:40:47 +0000</pubDate>
		<guid isPermaLink="false">http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-568</guid>
		<description>Your whole article is wonderful, but I couldn't agree more with your final paragraph. It's a shame that these films are barely mentioned in all the recent "mumblecore" press.</description>
		<content:encoded><![CDATA[<p>Your whole article is wonderful, but I couldn&#8217;t agree more with your final paragraph. It&#8217;s a shame that these films are barely mentioned in all the recent &#8220;mumblecore&#8221; press.</p>
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		<title>By: James M. Johnston</title>
		<link>http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-534</link>
		<dc:creator>James M. Johnston</dc:creator>
		<pubDate>Fri, 24 Aug 2007 16:24:44 +0000</pubDate>
		<guid isPermaLink="false">http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-534</guid>
		<description>Much agreed here too!  I actually just watched "Quietly On By" last night and was completely blown away.  I think it represents a perfect sort of contemporary filmmaking.  Especially the use of video.  In "Quietly On By" and "Hohokam" Ross isn't shy in the least about his format.  Which is a brilliant stroke considering the time, place and subject matter.

Thanks so much for mentioning these films.  I look forward to seeing "Team Picture."</description>
		<content:encoded><![CDATA[<p>Much agreed here too!  I actually just watched &#8220;Quietly On By&#8221; last night and was completely blown away.  I think it represents a perfect sort of contemporary filmmaking.  Especially the use of video.  In &#8220;Quietly On By&#8221; and &#8220;Hohokam&#8221; Ross isn&#8217;t shy in the least about his format.  Which is a brilliant stroke considering the time, place and subject matter.</p>
<p>Thanks so much for mentioning these films.  I look forward to seeing &#8220;Team Picture.&#8221;</p>
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		<title>By: Mark Rabinowitz</title>
		<link>http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-533</link>
		<dc:creator>Mark Rabinowitz</dc:creator>
		<pubDate>Fri, 24 Aug 2007 15:18:11 +0000</pubDate>
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		<description>&lt;p&gt;Damn you, Karina! Now there's three more films I have to see next week!&lt;/p&gt;
</description>
		<content:encoded><![CDATA[<p>Damn you, Karina! Now there&#8217;s three more films I have to see next week!</p>
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		<title>By: Noralil Ryan Fores</title>
		<link>http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-530</link>
		<dc:creator>Noralil Ryan Fores</dc:creator>
		<pubDate>Fri, 24 Aug 2007 04:05:57 +0000</pubDate>
		<guid isPermaLink="false">http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-530</guid>
		<description>Hey Karina: 

I second David. Great post. The socio-economic, cultural  divergence of Ross' work from the Mumblecore crew, while evident in every frame, hadn't been so clearly defined in my mind as you've expressed it here. 

I also appreciate the fact that you've mentioned the attention to detail in this work. This "formal romanticism" that David writes about seems at times to persuade the audience that generalities and not specificities are important. While the big picture is nice, and granted the minute may play off tedious, undoubtly one of the best moments of Hohokam plays out as Allison Latta reads off her credit card number multiple times. It's certainly a "devil's in the detail" experience for viewers, and I think, while it may have suffered in another filmmaker's hand, fit perfectly for Ross. 

Thanks, Karina. Much appreciated.</description>
		<content:encoded><![CDATA[<p>Hey Karina: </p>
<p>I second David. Great post. The socio-economic, cultural  divergence of Ross&#8217; work from the Mumblecore crew, while evident in every frame, hadn&#8217;t been so clearly defined in my mind as you&#8217;ve expressed it here. </p>
<p>I also appreciate the fact that you&#8217;ve mentioned the attention to detail in this work. This &#8220;formal romanticism&#8221; that David writes about seems at times to persuade the audience that generalities and not specificities are important. While the big picture is nice, and granted the minute may play off tedious, undoubtly one of the best moments of Hohokam plays out as Allison Latta reads off her credit card number multiple times. It&#8217;s certainly a &#8220;devil&#8217;s in the detail&#8221; experience for viewers, and I think, while it may have suffered in another filmmaker&#8217;s hand, fit perfectly for Ross. </p>
<p>Thanks, Karina. Much appreciated.</p>
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		<title>By: Mumbling in Suburbia: The Films of Kentucker Audley and Frank V. Ross - Movie reviews - Spout</title>
		<link>http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-526</link>
		<dc:creator>Mumbling in Suburbia: The Films of Kentucker Audley and Frank V. Ross - Movie reviews - Spout</dc:creator>
		<pubDate>Fri, 24 Aug 2007 00:01:30 +0000</pubDate>
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		<description>[...] (more…)          Originally posted on:Spoutblog [...]</description>
		<content:encoded><![CDATA[<p>[...] (more…)          Originally posted on:Spoutblog [...]</p>
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		<title>By: David Lowery</title>
		<link>http://blog.spout.com/2007/08/23/mumbling-in-suburbia-the-films-of-kentucker-audley-and-frank-v-ross/#comment-525</link>
		<dc:creator>David Lowery</dc:creator>
		<pubDate>Thu, 23 Aug 2007 23:55:00 +0000</pubDate>
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		<description>A wonderful post, Karina, and thanks for brining more attention to these lesser known films. I'm really big fan of all of Frank's work, and have &lt;i&gt;Team Picture&lt;/i&gt; on my desk here for viewing later tonight. I think the reason they've been ignored by programmers (and I'm speaking of Frank's films here, since those are the ones I know the most about) is that they so clearly signify the end of the honeymoon, as it were. Particularly with &lt;i&gt;Hohokam&lt;/i&gt; (such a terrific title), which finds its quiet moments of happiness amids an overall landscape of inevitable transience that is, I think, pretty unsettling when compared with the sunny dispositions and formal romanticism of the other films in the program.</description>
		<content:encoded><![CDATA[<p>A wonderful post, Karina, and thanks for brining more attention to these lesser known films. I&#8217;m really big fan of all of Frank&#8217;s work, and have <i>Team Picture</i> on my desk here for viewing later tonight. I think the reason they&#8217;ve been ignored by programmers (and I&#8217;m speaking of Frank&#8217;s films here, since those are the ones I know the most about) is that they so clearly signify the end of the honeymoon, as it were. Particularly with <i>Hohokam</i> (such a terrific title), which finds its quiet moments of happiness amids an overall landscape of inevitable transience that is, I think, pretty unsettling when compared with the sunny dispositions and formal romanticism of the other films in the program.</p>
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