Fame. Money. Success. These are the accolades reserved for only the Hollywood elite, the great artists of the silver screen. Or not. Some adored filmmakers leave us scratching our heads. Paul and Kevin look at Ridley Scott’s latest, American Gangster, in light of his yet-again re-released classic Blade Runner. Does he belong in the pantheon of great gangster-epic directors or is he just an imitator? Karina questions whether the Coen brothers are anything more than competent genre directors. She calls Erica Rowell, author of The Brothers Grim: The Films of Ethan and Joel Coen, to discuss No Country for Old Men and other their other “masterpieces.”