“As a student and fan of special effects and new media,” writes Bob Rehak at Graphic Engine, “I’m struck by the completeness with which the top 10 [grossing films of 2007] encapsulate an evolving mode of high-tech production in serial media.” Those films, of course, include titles like 300, Ratatouille and the latest Harry Potter flick, all of which enjoyed “enormous profitability … in striking contrast to their devalued cultural status.”- Earlier this morning, I came up with a few reasons why New Line might have bumped Be Kind Rewind by a month. Chris Thilk offers another: it could be because Cloverfield is expected to “march through the box-office like a monster rising from the depths of the sea.”
- At LIBERTAS, Dirty Harry predicts that in calling Knocked Up sexist, Katherine Heigl has irreparably damaged her appeal. “Heigl might’ve thought the quote would help her with the feminist crowd which obviously means so much to her, but the American male who made her a star will only see arrogance, and that’s a turn-off.”
- “Dear Studios,” writes Hacking Netflix. “Stop treating your paying customers like thieves.”
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