A low budget musical, highly improvised, shot on consumer video and blown up to film? I’m there. I’ve been wanting to see Laurin Federlein’s Build a Ship, Sail to Sadness since reading write-ups of its premiere at Rotterdam a year ago, followed by a number of conflicted but non necessarily dismissive reviews from LAFF. I’m so excited that it’s finally coming to New York tomorrow. Here’s an excerpt of the synopsis from Anthology Film Archives’ calendar:

An absurdist musical travelogue, BUILD A SHIP follows young solitary Vincent as he rides on his moped through a deserted Scottish mountain region. His mission: to “heal the loneliness” of the few scattered inhabitants by introducing a mobile disco to the area. Driven by messianic determination and an addiction to petrol fumes, he struggles to keep his disintegrating vision afloat amidst the hostile landscape and stubborn indifference of the locals.
Conceived around the idiosyncratically witty and eloquent persona of lead-actor and collaborator Magnus Aronson, whose heartbreakingly poignant pop songs punctuate the low-key proceedings, BUILD A SHIP is based on many hours of conversations between Aronson’s Vincent and the real-life residents of the area and was filmed using two consumer Hi8 video camcorders, resulting in an intentionally low-fi, grungy look that corresponds to Vincent’s defiant struggle: to erect a vision of perfection, glamour, and aesthetic refinement within the imperfections and dullness of everyday reality.