Is it too “gory,” or did the filmmakers want too much money? This Variety story offers both as potential reasons for why the Amy Adams/Emily Blunt Sundance comedy Sunshine Cleaning, which was pegged before and during the festival as an almost sure-thing candidate for a sale, is only now closing a distribution deal with Overture Films.
In other sales news, Film Movement has picked up Argentinean teen hermaphrodite drama XXY. It won two awards at Cannes last year, and it’ll screen next month at New Directors/New Films here in New York.
No Country For Old Men will “almost double” its screen count this weekend, in order to best take advantage of the profile boost offered by its multiple Oscar wins. It’s probably also smart counter-programming against Semi-Pro, which will be the only film to open this weekend on over 2,000 screens.
Fireman’s Fund Insurance Company is looking to cash in on a potential SAG strike by offering policies to film productions scheduled to coincide with the union’s summer contract negotiation deadline.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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