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‘Vogue is Racist!’ Says Other Racists

Christopher Campbell
By Christopher Campbell posted 5 months ago
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voguecover_032708_fresh.jpgWanna know how I know I’m not racist? I’ve been staring at the cover of the latest Vogue magazine for weeks and I didn’t once link the image of LeBron James and Gisele Bundchen to King Kong and Fay Wray. But plenty of other people have been making the connection, calling the Annie Leibovitz-photographed cover offensive. Sure, maybe the pose makes James, who is apparently now the first African-American male to appear on the cover of Vogue, look too violent, but I wouldn’t necessarily claim he’s made to ape Kong (pun intended).

Then again, it took me years to find out/realize that King Kong was as racist a film as they come. Perhaps I’m more ignorant than racist, at least in the way NAACP spokesman Richard McIntire puts it: “some younger folks who don’t have that exposure may not even know what the King Kong movies were, may not get that.” (quoted by Women’s Wear Daily). However, when I finally did watch the 1933 original in its entirety as an adult, the colonialism allegory was clear as day. And I believe the film is pretty racist in retrospect, as are so, so many early films. Yet for all the places that have been colonized in history, I think it’s even more racist to claim that Kong is necessarily metaphoric of black victims of colonization.

Therefore, in a way, I find it more offensive, though mostly hypocritical, that anyone, regardless of that person’s race, should be calling out Vogue on this issue. Oftentimes it is the spectator’s own perspective that is imposed onto a text, rather than the creator’s conscious intent. While that may not make the creator completely innocent, it does nonetheless incriminate the spectator as being part of the problem. Is Kong black because you think blacks look like apes? And is James Kong because you think he looks like a giant ape who is supposed to represent blacks? Okay, I’ll admit that you can see parallels when you post photos like this and this, but can’t we find some other similar photos from Dracula, The Phantom of the Opera, The Hunchback of Notre Dame and many other films involving pale-faced monsters grabbing hold of white women, too? Not all savages are dark-skinned, you know. And African Americans displaying anger while holding white women can be just African Americans displaying anger while holding white women.

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  • Jeffrey Freeman said

    Whoever wrote this is clueless. What’s the point of showing an angry black male holding a white woman in a magazine issue that purports to be celebrating the “best bodies”? How would an angry white male be percieved when holding a white woman? Rapist? Sexual abuser? Abusive husband? Just a guy with great abs? We will never know because no one would think (nor has thought) to create that image when celebrating “best bodies”. My point is the image is completely out of place given the topic and makes one question the intent and perspective of the photographer and editors.

  • M. Agrebi said

    so we should stay away from all images that depict dark skinned males and light skinned females?
    please. the only reason this is a big deal is because there are so many people out there that just want to pick a fight.

  • plooger said

    It takes a mighty sturdy constitution to not see the reality that Liebowitz was recreating — reinterpreting — the 1917 WWI propaganda poster. There are far too many similarities for it to have been accidental.

    See here.

    The outfit colors, the neckline of Giselle’s dress revealing as much of her upper torso as possible while staying G-rated and cover ready, the angle of Giselle’s body (feet between LeBron’s legs with body angling outward), the similarity in the length and curls of Giselle’s hair, LeBron’s teeth-baring facial expression, LeBron’s “weapon” in his right hand and damsel in his left, and, finally, the white-tipped tennis shoes to coordinate with the lightened toes on the “brute.”

    I’m not making a judgment that the cover photo is racist. I’m only pointing-out that one would have to be obtuse not to recognize that the cover photo was an interpretation of the WWI-era poster.

    Larger side-by-side image, for comparison, here.