Variety says Steven Spielberg and co. are strenuously aiming to avoid what we’re apparently calling “The Da Vinci Scenario” –– so named because a “jet-lagged, overtired, cynical mob of critics and executives decimated The Da Vinci Code when it debuted [at Cannes] two years ago”––with this weekend’s debut of Indiana Jones vs. King Shia LaBeouf. Some of their defense tactics: journalists will only be allowed to interview the cast and filmmakers before the press screening, and they won’t be invited to the film’s after party. Because limited access *always* ensures positive pres coverage!
Daniel Day-Lewis is in talks to replace Javier Bardem in Rob Marshall’s feature adaptation of Nine, a musical sort of based on Fellini’s 8 1/2. Because men who win Oscars for playing mad men are apparently interchangeable when it comes to casting musicals!
Joe Dante––who we love––has signed on to direct an indie horror flick called Bat Out of Hell, about “a red-eye flight from L.A. to New York during which hijackers confront the monstrous cargo.” Because the last semi-intentional camp thriller set on an airplane did so well!
Some movies are violent, some are disturbing, and others are just plain wrong. Paul W. S. Anderson’s Death Race is a fun ride with some gnarly crashes, but it can’t hold a candle to its demented predecessor, Roger Corman’s Death Race 2000 (1975).
Cinema’s favorite weirdo, Cripsin Glover, is taking his film across the country, personally [...]