I “eeee!”ed too soon. Yet another snag has come up in the distribution future for the film that’s become my most picked scab over the past year, Carlos Reygadas’ Silent Light. Just yesterday, Anthony Kufman passed along news that Palisades Media, the company that purchased the back catalogs of both Tartan Uk and Tartan US, were planning a theatrical release for some time in the vague future. But today. Kaufman says he’s been emailed by Camille Neel of Bac Films International, who own worldwide rights on Reygadas’ film.Though Tartan did release the film in the UK, a report in Screen Daily suggesting that they had purchased US distribution rights to the film was apparently erroneous––whether they wanted to or not is unclear, but the distributor apparently never closed a deal before shutting down. Kaufman quotes Neel, italics mine: “The film is still available today for the US and of course, if we have strong interests, we are still looking for distribution [for] all rights in the US.”
Paging all distributors with notoriously strong interests!!!
LOL, and I totally linked your post the other day saying how awesome it would be for folks in the US to see it.
I saw it on DVD myself.
I was wondering if someone would drop a hint about Benten as a possible distributor. Heh. I hope I’ll get a chance to see this film.
This does seem like a good pick for Benten, but have they done theatrical distribution before? Do they even want to be in that business?
For anyone desperate enough:
http://tinyurl.com/silentlight
Well this is weird. I just got a message that Silent Light is opening at Toronto’s Royal Cinema tonight. How about a post-birthday road trip, Karina?
[...] Light ain’t coming out that soon after all…Seriously, just get the DVD if you’re [...]
Interview with Carlos Reygadas about the film from last October: http://www.filmdetail.com/archives/2007/12/10/interview-carlos-reygadas-on-silent-light/
Jette/James (and others):
It’s no secret that Benten would LOVE to release SILENT LIGHT, and learning that the rights are available certainly does change things.
As for theatrical, well, there’s always a first time….