It has come to my attention, via the Rope of Silicon post and SpoutBlog commenter Gould, that there is bad buzz in Telluride surrounding David Fincher’s The Curious Case of Benjamin Button. I’m in Telluride, and I hadn’t heard this bad buzz––the handful of people I’ve spoken to who saw the show reel either last night or this morning had generally positive things to day, aside from some general skepticism as to what the film’s reported two and a half hour final cut will look and feel and play like.
As I responded to Gould’s comment on this post:
…it’s hard to tell from this reel whether or not the film is going to hold together. I don’t get the sense that he’s going for whimsy or magical realism, but it does seem like a real departure for Fincher. Hopefully the fanboys looking for another Fight Club won’t burn Fincher at the stake for branching out a bit.
Telluride is not like, say, Comic-Con; the crowd doesn’t boo or scream, and most attendees are less likely to walk out of a screening with a firmly settled opinion than they are to spend the rest of the weekend talking it out. This doesn’t necessarily mean that I’m right and the naysayers are wrong, but I do hope this movie doesn’t get a leg cut off before the picture’s locked thanks to the entire internet jumping to conclusions.
I’m only skimming responses (including yours earlier) because I don’t want this movie ruined for me before I see it myself.
My question is, how wise is it to judge a movie based on 20 minutes? How well can you tell whether or not it’s going to “hold together”?
Yes, I know certain jaded types determine in the first 10 or 15 minutes if a movie is going to work or not, but I’ve got little use for those people.
What bothers me, is that already this movie is climbing up hill with people crowing about the length and expense and this kind of buzz can stick, regardless of how ill informed it ultimately is. Once there is blood in the water, it can be all over for a movie.
A similar phenomenon seems to be happening to Valkyrie…a movie I care much less about, but which has gotten repeated dinged, sight unseen, simply because the studio doesn’t seem to know what the hell to do with it.
The Internet is great. I love it, but sometimes it really brings me down.
[...] Karina Longworth doesn’t get any of this “bad buzz” hysteria that is being hyped up: “I hadn’t heard this bad buzz––the handful of people I’ve spoken to who saw the show reel either last night or this morning had generally positive things to day, aside from some general skepticism as to what the film’s reported two and a half hour final cut will look and feel and play like.” [...]