Admittedly, I haven’t seen Kelly Reichart’s Wendy and Lucy since Cannes. But I’m still going to stand by the contention that it seems just a little weird for a film about a girl and her dog–nudity-free, with some moments of tension but very little violence as I recall–-to receive an R rating (for “language”), while Richard Kelly’s horror film The Box, said to contain “some violence and disturbing images,” gets a PG-13.

This is probably not worth getting upset about. I’m not even sure if cutting off a teenage audience will really hurt Lucy’s theatrical success––Michelle Williams’ adolescent fan base has had a good five years to come of age since Dawson’s Creek, although one does imagine that there are a lot of teenage girls following the actresses seemingly unwanted appearances in the tabloids. But at least, it’s testament to that old chestnut about how Hollywood productions have an unfair edge over indies in the ratings game. If anything, Kelly was probably contractually obligated to deliver a PG-13 and engineered his cut of The Box to comply, while Kelly Reichart, who made Wendy and Lucy without a distributor on board, simply made the film she wanted to make. Too bad she had to put so many swear words in it.