Variety published three separate but similar “Top Stories” Sunday (one - two - three) on the topic of blogs and how certain bloggers (mainly Nikki Finke, pictured) exhibit questionable journalistic practices. What seemed at first to be an excessive, behind-the-times and otherwise forgettable trio of articles has today (and initially last night) become a topic of discussion for many film bloggers, including some who were mentioned in these Variety pieces who felt the need to respond.
My personal response is primarily, as I said, one of disregard. But here’s a quick commentary: I enjoy Finke and others as I might have appreciated Louella Parsons or Hedda Hopper decades ago — with a grain of salt. The fact that some bloggers are taken more seriously for their rumors and faulty reporting styles than, say, any one of the hundred other fanboy movie blog sites out there is the problem of the reader (especially the one who’s a Hollywood player), not the writer.
Though the timeliness of Variety’s blogger-hating trilogy comes on the heel of recent errors and conflicts involving Finke and others, there’s no more necessity in such articles as there would be for a trio of stories about the trustworthiness of Fox News. Don’t read the blog, don’t watch the channel, don’t read the trade magazine if you don’t like their content.
Anyway, I’ve given my two cents; read what others have to say after the jump:
Bart’s major point seems to be that blogdom has yet to discover a workable business model, hence its nastiness and desperation. Peter, take it from someone who knows all too well: No one in today’s media, whether it’s my paper or yours or any pajama-clad bogger, has a reliable business model anymore. When it comes to a downward economic slide, we’re all tumbling down the elevator shaft together.
[Finke's] business does not directly affect Variety’s revenues (or MCN’s, for that matter). The question Variety faces is the need for any trade magazine in the internet era with the significant overhead that the paper - and The Hollywood Reporter - carries. And as Bart notes for others, though it is just as true for Variety, this is a given information “news” arena… not a serious reporter’s medium. Some of the very worst reporting on this business has been from reporters who take their work dead seriously… because the rules of Hollywood just aren’t the same. The stakes are lower and the egos are bigger and corporations lie daily in spite of their stockholder responsibilities.
Even though we ourselves are “toxic bloggers”, we’ll certainly concede that many of Variety’s points are valid ones. But it does seem a little weird that they’d use so much energy building a case around what’s essentially a three-headed attack on just one person (a person who’s gleefully reported the trade’s financial troubles and scooped them recently on several major stories). That’s like something a blog would do!
Variety is right to raise these questions, and they are right to be concerned while we’re still in this nebulous area of ethics, quality, and mean-spiritedness. But they are wrong to claim that blogs and websites are the only ones causing the problems, wrong to claim that they already see where the future is headed, and wrong to believe that they will survive in a world of new media without getting their hands a little dirty. Luckily, it seems like they don’t have a problem with doing that.
maintaining a high journalistic standard hardly explains the type of anemic coverage too-often found, or not found, on the pages of either Variety or the Times. Bart’s attack—indeed the whole whiny Variety package—sounds too much like the enraged cry of an old-media dinosaur trying to defend what’s left of its terrain.
In other words, if Finke was a guy — some kind of tough-talking, finger-poking Walter Winchell-like internet gunslinger — Bart would never have written about how he needs to watch his manners or be more respectul of his elders.
Masters , like Finke before her blog, is without full employment as a journalist and is writing this piece as a freelancer for another blog that aspires to trafficking in gossip as “breaking news.” Slamming Variety instead of reporting on whether the accusations are factual fits the profile of the person she is defending.
Okay, Kris, here’s something more about the movies to really conclude this roundup:
UPDATE: Nikki Finke finally responded just after this post went live. In addition to claiming Reed Business Information wanted to buy her site, she has this to say, which sides with my stance on the issue: “Clearly, I’m fair game — even though I’m one person up against entire news organizations. Then again, this month, Deadline Hollywood Daily celebrates its 3rd anniversary and 50 million unique users. I’m still amazed that anyone reads me, much less cares what I write.”
Good highlights. How much ya think a new photo by a pap could go for?
Snooze.
Here’s a more fun question:
What do Nikki Finke and Thomas Pynchon have in common?
they both wear paper bags over their heads in public.
Mr. C:.
T. Holly kind of beat me to the punch, as it were, the answer being that I’ve only ever seen the same picture of either one of them. But your answer is funnier (although Simpsons-derived)!
Well, yeah. I meant to reference the Simpsons’ joke more than be funny myself.
Wasn’t Nikki Finke one of the only journalists covering the WGA strike that wasn’t bought and paid for by the studios? I remember reading the NY Times articles on the strike by Michael Cieply and laughing out loud at how in the tank he was.
Perhaps she let it go to her head a la Michael Moore?
[...] lots of bon-bons. Finke’s pull-no-punches style is a heady mix of investigative journalism (debatable) and Walter Winchell style gossip and I love it. I think the fact that Variety felt the need to [...]