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Jarmusch Cribs From Tilda’s State of Cinema

Karina Longworth
By Karina Longworth posted 6 months ago
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Tilda Swinton doesn’t have a co-writing credit on Jim Jarmusch’s The Limits of Control (which triumphed over dismissive reviews to top the speciality box office over the weekend), but maybe she should. According to an interview with the actress in Movieline, Jarmusch cribbed one of the film’s most memorable (and self-reflexive) monologues, in which Swinton muses that “Movies are like dreams you’re never really sure you’ve had; sometimes my favorite films are the ones where people sit there and don’t say anything,” from a State of Cinema speech Swinton gave at the San Francisco Film Festival in 2006. That speech, which was structured as a letter to Swinton’s young son, after he wondered “what people’s dreams were like before the cinema was invented”, is online at SF360.

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  • Reid Rosefelt said

    Jim has done that since “Stranger Than Paradise,” which began with a series of improvs from the three actors. Obviously the script was totally original, but enough dialogue was taken that John Lurie complained to me at the time that he had “written the script,” which I thought was hilarious.

    I have no knowledge of this, but I’d be surprised if there weren’t some things in “Down by Law,” that didn’t come from Jim’s close friendship with Benigni. Benigni’s comedic persona is the same as that guy, and Benigni himself is not that much different either.

    Jim also takes ideas liberally from other movies, for example, the gunshot through the sink in “Ghost Dog,” which comes from “Branded to Kill.” But he credited the film as a big influence to “Ghost Dog,” so it could be seen as a shout-out as much as an homage.

    I’ve always seen Jim as being like Dylan, who every now and then pulls bits of things here from other people’s work but he always turns it into something 100% original.