Comments on: TETRO Review http://blog.spout.com/2009/06/08/tetro-review/ Daily coverage of what is truly interesting in the film world Sun, 29 Nov 2009 17:13:54 +0000 http://wordpress.org/?v=2.6.3 By: Salgalaluna » Blog Archive » 84 - Segreti di famiglia http://blog.spout.com/2009/06/08/tetro-review/#comment-137079 Salgalaluna » Blog Archive » 84 - Segreti di famiglia Sun, 29 Nov 2009 01:43:35 +0000 http://blog.spout.com/?p=14841#comment-137079 [...] | solocine | lupin4th | spoutblog | jared mobarak | Share and Enjoy:These icons link to social bookmarking sites where readers can [...] [...] | solocine | lupin4th | spoutblog | jared mobarak | Share and Enjoy:These icons link to social bookmarking sites where readers can [...]

]]> By: Que Coppola vuelva a ser pobre… « LA RECÁMARA http://blog.spout.com/2009/06/08/tetro-review/#comment-130063 Que Coppola vuelva a ser pobre… « LA RECÁMARA Wed, 01 Jul 2009 17:09:22 +0000 http://blog.spout.com/?p=14841#comment-130063 [...] muy sofisticado, me ofrecían una historia no tan profunda como todos los personajes parecen creer. Yo y mi yo y mi ego… El personaje de Vincent Gallo es pelín insoportable. Menos mal que está Maribel Verdú, aunque [...] [...] muy sofisticado, me ofrecían una historia no tan profunda como todos los personajes parecen creer. Yo y mi yo y mi ego… El personaje de Vincent Gallo es pelín insoportable. Menos mal que está Maribel Verdú, aunque [...]

]]> By: kristen http://blog.spout.com/2009/06/08/tetro-review/#comment-128605 kristen Mon, 08 Jun 2009 22:14:29 +0000 http://blog.spout.com/?p=14841#comment-128605 Thanks Karina! Good review. Thanks Karina! Good review.

]]> By: Paul http://blog.spout.com/2009/06/08/tetro-review/#comment-128581 Paul Mon, 08 Jun 2009 21:25:30 +0000 http://blog.spout.com/?p=14841#comment-128581 I was lucky enough to see the NYC premiere of TETRO. All i have to say is this film is beautiful from the opening credits to the end. Maybe not the best screenplay but this film will go down as one of the most beautiful Coppola has made. New comer Alden Ehrenreich was wonderful, Coppola has a gift in finding new talent. This film is a breath of fresh air. I was lucky enough to see the NYC premiere of TETRO. All i have to say is this film is beautiful from the opening credits to the end. Maybe not the best screenplay but this film will go down as one of the most beautiful Coppola has made. New comer Alden Ehrenreich was wonderful, Coppola has a gift in finding new talent.

This film is a breath of fresh air.

]]> By: Karina Longworth http://blog.spout.com/2009/06/08/tetro-review/#comment-128577 Karina Longworth Mon, 08 Jun 2009 19:52:33 +0000 http://blog.spout.com/?p=14841#comment-128577 Tetro is as accessible to modern audiences as The Red Shoes -- which is to say, not really at all. Tetro is as accessible to modern audiences as The Red Shoes — which is to say, not really at all.

]]> By: Tariq http://blog.spout.com/2009/06/08/tetro-review/#comment-128575 Tariq Mon, 08 Jun 2009 19:20:15 +0000 http://blog.spout.com/?p=14841#comment-128575 I understand what you're getting at, but perhaps his movie might not be viewed as narcissistic if more critics put it in the context of the popular influences which Coppola himself has described as giving the film its rise: writers like Williams ("Cat on a Hot Tin Roof"), O'Neill (the Sins of the Father being visited upon the warring brothers), or even the shots he lifted wholesale from "The Red Shoes" and "Tales of Hoffman" all testify to Coppola's desire to offer accessible, popular entertainment; just in new forms. His success on those terms will be subjective of course, but I think they're still worth mentioning if we are to hope for more from him and others like him in the future. I understand what you’re getting at, but perhaps his movie might not be viewed as narcissistic if more critics put it in the context of the popular influences which Coppola himself has described as giving the film its rise: writers like Williams (”Cat on a Hot Tin Roof”), O’Neill (the Sins of the Father being visited upon the warring brothers), or even the shots he lifted wholesale from “The Red Shoes” and “Tales of Hoffman” all testify to Coppola’s desire to offer accessible, popular entertainment; just in new forms. His success on those terms will be subjective of course, but I think they’re still worth mentioning if we are to hope for more from him and others like him in the future.

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