Again?
posted 2 years agoSequels tend to be pretty predictable (unless, of course, they’re about global warming or directed by Hal Hartly).
Sequels tend to be pretty predictable (unless, of course, they’re about global warming or directed by Hal Hartly).
You could spend a good portion of the day (or night) reading reports from Cannes on the new Wong Kar Wai film.
What’s the best way to get free publicity? Stirring up some controversy with the federal government seems to work fairly well.
Here’s an article worth checking out.
Here’s some help for everyone who couldn’t sift through the overload of films at Tribeca (which is pretty much everyone, right?).
At least Mark Cuban is doing something about the sorry state of multiplex movie experiences (but I wish he had consulted Paul first).
It’s not about professional vs. homemade comedy, because they’re two different things.
I’ll be a fan of anyone who works to get great films shown on big screens in small cities.
The Filmmaker Magazine article is a good read, and the mumblecore collaborations are a good model.
Watching movies outdoors is appealing for the nostalgia and novelty. But if you throw too much money at it, the novelty can quickly overpower everything else.
We’re pretty much clued in on what computers are capable of, yet filmmakers still love to exaggerate their capabilities to accommodate the story.
Is it possible the Long Tail is getting shorter for foreign-language films, as it simultaneously gets longer for movie lovers in the states?
Should professional film critics be more in touch with pop culture?