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Oops: Five Movies That Failed to Predict the Future, Part 2

Oops: Five Movies That Failed to Predict the Future, Part 2

Kevin Buist
By Kevin Buist posted 9 months ago
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Last week I offered a list of movies that made ambitious predictions about the near future, only to lose credibility when their dark futures didn’t become a reality. As meaningful as this exercise is, it’s also very limited, I can only debunk movies whose futures have already failed come true, or can I? Using FutureMe.org, I sent my future self an e-mail, asking how movies which predict what the next ten years have fared. Luckily, PastMe.org must be up and running in 2019, because I received a prompt and courteous response from my future self. Here is the response, which I will write in ten years:

Past Self,

Got your e-mail about failed movie predictions. I knew it was coming ;) Here’s what I’ve got for you:

2012

I realize this Roland Emmerich mega-budget doomsday picture hasn’t come out yet in your time. I don’t recommend seeing it when it does, unless you were so impressed with Emmerich’s filmmaking in Godzilla and 10,000 BC that you actually want to see more. The film predicts that multiple apocalyptic catastrophes befall the world in 2012, in accordance with an ancient Mayan calendar which stops on December 21 of that year. What we know now is that the Mayans simply ran out of room on the rock they were carving, and were not trying to warn future generations of anything. Promoters of New Age Mayan mysticism did make a big deal about what they said would be the end of the world, making several appearances on popular talk shows. Of course, nothing happened on December 21, 2012, except that the special edition Blu-Ray of 2012 went on sale, hoping to make up for poor sales by becoming the ironic Christmas gift of choice.

I Am Legend

This 2007 Will Smith vehicle is another example of revisionist futurism, when a story’s prediction doesn’t come true, the story is retold and the date is moved further into the future. This is the third film adaptation of Robert Matheson’s original novel. Published in 1954, the book follows a scientist named Robert Neville from 1976 to 1979. Neville is apparently the sole survivor of a pandemic which resembles vampirism. The Will Smith version takes place in 2012, clearly a favorite year for doomsday prophets. While the prediction of a virus that turns everyone into rabid beasts didn’t exactly come true, that year’s American Idol competition was particularly brutal, inspiring an outbreak of backyard gladiatorial battles, similar to those now used to choose the winner of the show.

The Postman

This 1997 film, directed by and starring Kevin Costner, was generally regarded as a flop when it was released. It grew in popularity, however, as its prophetic vision of 2013 began to look more like reality. In the film, society is in ruins after a nuclear war. Costner’s character inadvertently brings hope to the destitute survivors when he starts delivering mail. While there was no global nuclear war in 2013 (that doesn’t happen until 2015), the film did accurately predict the return of pony express style mail delivery. Due to the ongoing financial crisis, the US government shut down the Postal Service, assuming that private carriers and e-mail would fill in. It worked for a few months, until bad loans and $300-per-barrel oil drove the private delivery firms out of business right during the Great Broadband Crash of ‘13. It was a bad year. But letters from loved ones did seem that much more meaningful when they were hand delivered by a disheveled vigilante fighting off dysentery.

Back to the Future Part II

The 1989 film Back to the Future Part II made several predictions about what the world of 2015 would look like. Having lived through that memorable year, I can tell you things didn’t turn out as shown in the film. In reality, flying cars were not released commercially until 2036, but never became widely available due to the market domination of flying Segways. Hoverboards, on the other hand, were widely available by 2015, but were pulled off the market following the unfortunate death of Tony Hawk during the 2016 X-Games. Many blamed the incident on Hawk’s malfunctioning cybernetic legs, rather than the Hoverboard, but the toy was still unable to recover from legal trouble. One prediction Back to the Future Part II did get right was Marty McFly’s futuristic Nike shoes. Nike released the Air McFly, in July 2008. While they were a limited edition, there’s no reason you couldn’t wear them in 2015.

Blade Runner

In Ridley Scott’s 1982 science fiction noir, Harrison Ford plays Deckard, a hard boiled detective hired to assassinate several illegal androids known as replicants. The film’s predictions about what a gritty futuristic Los Angeles would look like were pretty accurate. Genetically engineered pets are also available, but you need to go to some rather unsavory neighborhoods to find people who produce them. Super realistic androids, similar to replicants, also exist in 2019. Which brings me to a rather important point. This e-mail is not actually from your future self. I am a replicant. Your memories were transferred to me shortly before your grisly death.

Thanks for writing. If you have any more questions about the future of movies, let me know!

Best,

Future Kevin

FilmCouch #62

Paul Moore
By Paul Moore posted 1 year ago
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Raquel Welch, Camilla Belle

Roland Emmerich (Independence Day) is probably the most bankable schlock-meister working. 10,000 B.C. is a snickerfest with some amazing woolly mammoths. On the evolutionary chain of movies, it’s a driect descendant of the campy Raquel Welch star vehicle, One Million Years B.C. (1967). Adam Forrest and I thought it would be fun to watch them both, but didn’t expect One Million to blow us away when it turned more Shakespeare than schlock.

Karina phones in to explain what makes a good musical and why Love Songs–opening tonight–and so many others from the last 30 years don’t make the cut.

 
 FilmCouch 62 [30:42m]: Play Now | Download

FilmCouch 62

(Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday)
10,000 B.C., One Million Years B.C., Love Songs

Trailers of the Day: The Happening and 10,000 B.C.

Christopher Campbell
By Christopher Campbell posted 1 year ago
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I’ve already written about trailers for each of these films, and I didn’t really want to revisit either one. Even if they did have second trailers released — as most movies do — it’s typically hard for me to find the new versions in a format that I can embed here (I guess I got lucky with The Happening video above). But both of these movies have special marketing circumstances regarding their new, second trailers, that I figured they were worth noting.

The new trailer for The Happening, unlike the one I wrote about previously, seems more interested in exploiting the 9/11 and terrorist-threat angle. As if we hadn’t already guessed that Shyamalan was dealing with that kind of subject matter. Of course, the first trailer was just fine at selling the movie as a sci-fi/horror thriller, which I imagine is much more appealing to a wide audience than anything relating to 9/11. Still, I kind of understand why they decided to go this route, as well. The first trailer just made the movie look like a clone of The Mist and the upcoming horror flick The Signal. Perhaps the studio wanted to distinguish itself more as a deliberately relevant and topical genre picture. …Read more

Big Budget B-Movie Trend Continues with ‘10,000 B.C.’ Trailer

Christopher Campbell
By Christopher Campbell posted 1 year ago
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10000bcmammoths.jpg

Eventually Hollywood will learn it doesn’t make sense to spend millions of dollars on a B-movie. It may just take awhile. But if the road towards re-education didn’t begin with Grindhouse, it will possibly start with Roland Emmerich’s 10,000 B.C., the trailer to which is now available courtesy of CHUD.com. The $75,000,000 movie follows a tradition of cheesy Saturday afternoon flicks like 1940’s One Million B.C. and its 1966 remake One Million Years B.C. Of course, back then the B.C. stood for “before computer (effects)” and featured the spectacular — and silly, maybe — visual effects of Roy Seawright and Ray Harryhausen, respectively.

Sure, in terms of effects and spectacle, 10,000 B.C. looks cool, just as Emmerich’s The Day After Tomorrow looked cool, but it also has the potential of being unintentionally funny, in the same way the primitive people in Battlefield Earth came off as ridiculous. Emmerich may as well have put in dinosaurs, despite the historical inaccuracy, because this isn’t the kind of movie to be taken seriously, anyway. The one thing the movie may have going for it is it’s combination of historical epics like Alexander with fantasy epics like The Lord of the Rings, which gave us its own mammoth-like creatures. I just imagine the story being nowhere near as believable as either one of those examples.

Anyway, if attempts to make big-budget B-movies didn’t work for Tim Burton (Mars Attacks!), Peter Jackson (King Kong) or Tarantino and Rodriguez (Grindhouse), could it really work for the guy who already failed such an attempt with Godzilla?