Unemployment is about to get even worse now that Citigroup has announced it will cut 52,000 jobs early next year. And falsely reported news of a killing in Santa Clara, California (the shooter was fired, not laid off) only adds to the bleak atmosphere surrounding the already upsetting job market. But while desperate times may lead to desperate measures, it’s vital for us to remember what we learned from the films of the 1930s, when the Great Depression caused a nearly 25% rate of unemployment (we’re currently at 6.5%).
Hopeful stories of upward mobility and implausible solutions were popular at the time, though many of them had downsides or inspired the desire for unlikely prospects. Still, there was some guidance to be found buried within the fantasies of Hollywood, and SpoutBlog has compiled this handy list to help you make the right choices during your current or imminent joblessness.
In my first week as a SpoutBlogger, I linked to Kevin Lee’s video essay on Dario Argento’s Inferno. Twelve weeks later (putting us at last weekend), I met Kevin for the first time in Real Life, and he told me that the next installment of his project has going to investigate one of my favorite musicals, the Busby Berkeley-choreographed Dames. It’s now up at his site.
The actual video essay breaks down the film’s title number, one of the most batshit insanely kaloidoscopic musical sequences of Berkeley’s career, into symbols and meanings; the page it lives on is tricked out with quotes from the film’s original reviews, unadulterated clips of other musical numbers, and Lee’s own analysis.
My favorite part of the whole thing comes at about the 3:55 mark of the video, when Lee stops in the middle of his analysis to ponder the one scene that appears to have gotten away from Berkeley.
We’ve had a bit of trouble getting this episode to go through the iTunes feed, so we hope this re-post will fix the problem. The original post, with episode description and embedded player, is here.
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