This review was originally published in slightly different form during the Sundance Film Festival. Moon opens in New York and LA on Friday.
A small, personal story wrapped in the trappings of classic sci-fi epic, Moon manages to be both derivative (most notably, of Stanley Kubrick’s 2001) and deliberately rebellious in its treatment of sci-fi tropes. Moving through familiar territory and yet sparked with a spirit all its own, like any great work of genre cinema Moon’s future-world scenario and super-slick techno-artistry are put to the service of a story that ultimately downplays the traumas wrought by technological possibility in order to dig deep into the trauma of being a person.
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Thank God scientists finally found the missing link (aka Darwinius masillae, aka “Ida”). Now we can at last prove Charles Darwin right and be done with films like Expelled: No Intelligence Allowed, as well as all the seemingly pro-science movies that inadvertently ruined the theory of evolution. We now look forward to the “Ida” biopic, or at least a movie detailing the 26 years (give or take 47 million) it took for the discovery of her fossil to become a mainstream media sensation. Never mind that this is hardly the missing link between apes and humans. With almost 50 years passed since the release of Inherit the Wind, film-loving Darwinists need some kind of missing link story to grab onto.
It is true that cinema has not been so kind to Darwinism, giving us such mockeries as Evolution, Howard the Duck and Creature from the Black Lagoon. But filmmakers have consistently shown a special love for the concept of the missing link, at least. Although many movies depict the idea with little seriousness, and some feature negative portrayals of primitive monsters, there are a number of truly lovable creatures that represent the concept of the missing link on film. Check them out after the jump.
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I am all for holidays, especially those having to do with movies. But they should have some sort of meaning, whether they honor an anniversary or birthday (real or fictional person’s), inception date (remember when people celebrated HAL’s birthday on January 12, 1997?) or similarly significant event. They shouldn’t just exist to exist. Star Wars Day, which is apparently today (interestingly, mere days before Star Trek hits theaters), is nothing more than a joke turned into a pseudo-holiday, for which the only purpose is to be able to say that it’s Star Wars Day. You don’t get a free comic book out of it, you don’t get off from work to hold a Jedi-based mass and you certainly don’t get to wear your Star Wars costumes around town without getting beat up. Especially not if your only reasoning for being in droid-garb is the silly pun “May the 4th be with you.”
Don’t get me wrong, I love puns, I love Star Wars (some of the movies, at least) and I do appreciate the joke from which the thing originates. But actually trying to turn the date into an officially recognized holiday — for members of the Jedi church, of course — is just plain silly. Geeks, feel free to watch a marathon of Star Wars movies today if you wish, but please stop with the “Happy Star Wars Day” greetings already. Bah humbug!
Check out some of the bloggers who annoyed me with this nonsense today, after the jump:
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The Tribeca Film Festival opens tomorrow (with Baby Mama, a film I haven’t seen but am rooting for via sheer love for Miss Liz Lemon), and there are a number of films on the schedule that we’ve covered at other festivals and can reccommend, including Baghead, Bigger, Stronger, Faster* and especially Mister Lonely. After the jump, you’ll find a look at some of the films and events that I’m looking forward to covering over the next couple of weeks. The festival concludes on May 4.
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In the new issue of Entertainment Weekly, Mark Harris declares that sci-fi movies are in trouble, that they’re not giving us any new ideas and are in fact too nostalgic and derivative. Harris himself is saying nothing new — Blade Runner director Ridley Scott expertly stated this last summer at the Venice Film Festival — but I applaud his solution and his call for someone to rise to the occasion and save the genre from itself:
Perhaps science fiction needs to be saved from the very people who love it the most. Nostalgia for a form can be annihilating to creativity, so while its devotees are swamped in their own canon, trying to mine now-sacred texts for any new material, I wish a great writer or director with no particular affection for the genre would let his imagination loose and see what it yields. It happened 40 years ago, when Stanley Kubrick, following his own ice-cold muse and his fascination with science itself, decided he wanted to create something that ”extended the range of science fiction,” a genre that didn’t particularly impress him. What nerve! The result was 2001: A Space Odyssey, which changed the game so completely that in movies, the sci-fi genre immediately vanished for a few years while everyone surveyed an irrevocably altered landscape.
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