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At Least Joan Didion No Longer Hates Film Critics

Karina Longworth
By Karina Longworth posted 9 months ago
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I think the phrase I used was “petit-point-on-Kleenex,” and a lot of it seemed to have that situation. But no, I think people know more about film now than they knew then. And I think critics really have a more accurate sense of how pictures are put together, and why certain things work the way they do. People know a little more about the business. There were so many great pictures in the ’70s; I think, gradually, people were looking at them in a serious way.

From Aaron Hillis’ IFC.com interview with Joan Didion, pegged to the current run of The Panic in Needle Park at Film Forum in Manhattan.

Didion was responding to a question from Hillis inregards to her circa 1973 essay “In Hollywood,” in which she also declared that there are only three “non-Industry people in New York whose version of Hollywood corresponds at any point with the reality of the place” –– all daughters of former moguls –– and includes “reviewers being courted by Industry people” amongst those “who do not understand the mise of the local scene” and are thus likely to try to flirt at a Hollywood dinner party.

In the IFC interview, Didion also praises The Reader, talks about the future of the Tuesday Weld-starring adaptation of Play it as it Lays, and refuses to lament the loss of old, seedy New York.

Hudson to IFC, Hillis to GreenCine

Karina Longworth
By Karina Longworth posted 10 months ago
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Historic news! David Hudson, the master of film blogging behind GreenCine Daily, is leaving that site to start a new blog for IFC. That blog, called The Daily, will launch January 1. Meanwhile, GreenCine Daily will be taken over by Aaron Hillis, freelance writer and co-founder of Benten Films.

Why is this a big deal? In the brief history of the film blogosphere, nobody has ever even tried to aggregate film news and commentary as thoroughly and elegantly as David Hudson. And maybe it’s holiday season fuzzy headed-ness on my part, but the idea that there will soon be two places for me to go for curated bloggy aggregation kind of blows my mind.

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FilmCouch #52

Paul Moore
By Paul Moore posted 1 year ago
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butterknife_pronounce.jpgJoe Swanberg (Hannah Takes the Stairs) and Ronald Bronstein (Frownland) talk about turning private detective movie convention on its ear with Butterknife, their new webseries presented on spout.com January 28.

Aaron Hillis and Keith Uhlich argue–REALLY argue–over the critical acclaim gay critics gave to I Now Pronounce You Chuck and Larry. I really don’t know what to make of their face-off, but it reveals staunchly different ways that gay and straight people watch a gay themed movie, especially one starring Adam Sandler.

*Sign up for an email reminder when Butterknife premiers at butterknife.spout.com

 
 FilmCouch #52 [30:37m]: Play Now | Download

(Subscribe to FilmCouch in the iTunes store and an episode will download each Friday.)

FilmCouch 52

The Media Diet: Andrew Grant and Aaron Hillis, Benten Films

Karina Longworth
By Karina Longworth posted 2 years ago
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loldvd.jpgThis week on The Media Diet, we check in with Andrew Grant and Aaron Hillis. Grant is the brain behind Filmbrain; Hillis is a freelance critic and reporter whose work can be found at Premiere, The Village Voice and his personal blog, Cinephiliac. Together, they’ve just launched Benten Films, a boutique DVD distribution company aimed at drawing attention to “overlooked gems that deserve greater recognition.” Benten’s first release, Joe Swanberg’s LOL, will hit stores on August 28 (more on that closer to the date). They’re also planning to release two films by Aaron Katz, Dance Party USA and Quiet City, sometime after both screen at The New Talkies festival in New York, which begins next week.

SPOUT: We start each installment of The Media Diet with the old desert island question: you’re packing your suitcase for life-long seclusion on a tropical island that happens to have a full entertainment system. What records, books, movies, video games, websites, etc do you bring with?
AARON: I’m a media whore, so this stream of consciousness might change in an hour: I’m watching Playtime, Once Upon a Time in the West, 2001, Wings of Desire, Suspiria, Penn & Teller Get Killed, and the collected works of Herzog, Buñuel, Altman, Godard, and the Marx Brothers. I’m listening to Bob Dylan, Radiohead, Zappa, James Kochalka Superstar, and the four actresses covering Blue Hearts songs in Linda Linda Linda. Also, if my island has internet and video games, who needs books? (Kidding!)
ANDREW: I’ll try to keep this sensible, i.e., what I could reasonably carry in my backpack. The only book I’d need (the only book anybody needs for that matter) is William Gaddis’ The Recognitions, for it says everything there is to say about the human condition. I’d like to have every note recorded by John Coltrane, some Nick Drake, Brahms’ Ein Deutsches Requiem, and that Scarlett Johansson album of Tom Waits covers. (No, I haven’t heard it, but, come on…) Films, of course, are tough—give me complete box sets of Godard, Allen, Cassavetes and Imamura. Throw in The Big Lebowski, Lawrence of Arabia, and Xanadu and I’m set.

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