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Kurt Cobain: About a Son Opens Today

Karina Longworth
By Karina Longworth posted 1 year ago
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Forget about Manohla’s pan (seriously: has she just been watching too much Behind the Music?): go read this story on AJ Schnack’s Kurt Cobain: About a Son in the Village Voice, and then, if you have the means, go see the film tonight in New York or this weekend in L.A. To quote the inimitable Camille Dodero:

If Cobain’s death is the 9/11 of the modern-rock canon—an epochal tragedy that recklessly opportunistic minds have flattened into a sad, one-dimensional cartoon—then Gus van Sant’s tedious and arrogant Last Days is the World Trade Center of the posthumous Kurt industry: a fictionalized piece of shit by a big-name director. (And Nick Broomfield’s Kurt & Courtney is the Fahrenheit 9/11.) [...] Here Kurt Cobain, the supernatural songwriting god who discovered that the only true fountain of youth is death, is transmogrified into a mere mortal. This is About a Son’s singular objective, and real accomplishment.

We’ll have more on About a Son on Friday’s episode of FilmCouch. Suffice it to say, we’re fans.

Karina Takes the About a Son Soundtrack Challenge

Karina Longworth
By Karina Longworth posted 1 year ago
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A few weeks back, I commented that the soundtrack for AJ Schnack’s documentary Kurt Cobain: About a Son “looks amazing.” Instead of focusing on Nirvana’s greatest hits, Schnack built the soundtrack and the film around songs that Cobain loved and listened to through various stages of his life. A few weeks back, a reporter asked Schnack to name the soundtrack to his own life, and now the filmmaker has challenged a number of bloggers (including yours truly) to do the same.

AJ set out the following rules for the endeavor:

1.) It must reflect music from each part of your life, including childhood, awkward pre-teen years, all the way up to your current existence
2.) It should be music that is not just your favorite songs, but also things that make sense thematically
3.) It cannot be your own music
4.) Challenge at least 2 other bloggers to do the same.

I noticed that Tom Hall wrote blurbs for each of his choices, while AJ did not. With my list, I elaborated on a few choices and left others cryptic. As Schnack’s film is broken down into sections based on the cities in which Cobain lived, my list is broken down by own geographic location when these songs had an impact on my life.

We’ll start with a teaser. You’ll find the full list after the jump. Oh, and I tag these two: Filmbrain and The Cinetrix

LOS ANGELES

Malcolm McLaren, “Madame Butterfly” (see video above)
Malcolm McLaren’s Fans came out in 1984, and at the time, I had no idea who Malcolm McLaren was, nor did I have any concept of how ridiculous it was that the puppetmaster behind the Sex Pistols was releasing an album of synth-pop opera covers just seven years after Never Mind the Bollocks. My mom bought it–I actually have a vague memory of her hunting it down at the Tower Records in Sherman Oaks before finally finding it at the Music Plus in Studio City. I was a four year-old budding ballerina, and when she’d put the record on, I’d practice my pas de bourrée. At some point I choreographed an entire ballet to the full record, with yours truly playing all the parts (thankfully, this was before the advent of affordable consumer camcorders). It’s the first music I remember requesting to listen to.

…Read more

About a Son Director on Why Nirvana’s Not On The Soundtrack

Karina Longworth
By Karina Longworth posted 1 year ago
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picture-4.pngOn Friday, I wrote a bit of a gusher over the upcoming About a Son, in which I speculated that the film and its associated soundtrack were Nirvana-free because securing rights to Kurt Cobain’s recorded output is rumored to be difficult and costly. Over the weekend, About a Son director AJ Schnack wrote a comment on that post with some further information:

Thanks for the blog love. Want to clarify one point. As crazy as it may sound, the decision to not use Nirvana music was not a financial choice, nor was it obstruction from another party. I tried to put a Nirvana song at the end, but it struck all the wrong notes in a film that is not so much about him as a musician as it is him as a man. Ultimately, I thought that Steve Fisk and Ben Gibbard’s score music worked better for the end of the film. It’s not the most commercial choice in the world, but I think it fits the movie I made. However, on your larger point that anyone can (and should) go home and listen to Nirvana (preferably In Utero as it was the album he was writing and recording at the time of the interviews) after seeing the film - I am in total agreement.

I’ve seen the film, and I would agree that it makes more sense to fill the soundtrack with music Cobain would have listened to, rather than music he made. In any case, the current soundtrack has a mixtape quality that I like a lot, and that I imagine will go over fairly well with the Pitchfork set.

People at Denver: AJ Schnack and Michael Azerrad

By Kevin posted 1 year ago
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Beginning with the premise that “the whole truth is the best truth, AJ Schnack and Michael Azerrad made the film Kurt Cobain About A Son. Schnack directed, using the audio from 25 hours of interviews Azerrad did with Cobain for the book Come as You Are: The Story of Nirvana. I had a chance to talk to them about how they used the film to show Cobain as a real person seperate from the superstar icon, and how one of their goals was to break the “rockumentary” mold.


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Starz Denver Film Festival, Spout podcast, Kurt Cobain About A Son, AJ Schnack, Michael Azerrad

Rountable Recap: Friday the 10th

By Kevin posted 1 year ago
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Aaron and I sat back for a few minutes to talk about the films we watched and the people we talked to today at the Starz Denver Film Festival. Films we discussed include Cine Manifest, Sensation of Sight, Kurt Cobain About a Son, and Pan’s Labrynth.

Starz Denver Film Festival, Spout podcast, Rountable Recap, Friday November 10, 2006, Kevin, Aaron

 
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