Movie fans were shocked today with the news that Oscar-winner Adrien Brody is turning action hero to star in the Robert Rodriguez-produced Predator reboot, Predators. At first I thought maybe he’s trying to distance himself from the Roman Polanski mess by picking a movie as far from The Pianist as possible. But then I remembered that since winning Best Actor six years ago Brody has done little to show himself worthy of the award (he’s great in The Darjeeling Limited at least).

But will anybody believe him as a guy who can defeat a bunch of Predators? That he’s better than Arnold Schwarzenegger, who barely survived one of them? That he’s the guy to lead kick-ass costars like Danny Trejo, Oleg Taktarov, Walt Goggins and even … umm … Topher Grace (he’s at least been an action movie villain before, even if a bad one)? Well, obviously this gig is going to require that supposed Oscar-caliber talent in order to convince us.

Check out the stunned reactions from other film bloggers after the jump:
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Before even seeing District 9, we had a feeling there’d be at least a hint of human-alien sex, because science fiction, smart or dumb, has always had a fascination with the idea of inter-species love. And while bestiality may still be a taboo subject for Hollywood, the movies are always okay with the interplanetary variety, probably because it’s (usually) more consensual.

The aliens in District 9 are not sexy, though (not to us, anyway). They look like, and are derogatorily called, Prawns. So there are no apparent romances between these creatures and humans. But there is a reference to Nigerian prostitutes selling sex to the prawns, and there’s also sort of a depiction of a man and a prawn going at it “doggy style.”

While human-alien sex is commonly found in outer-space tales, such as Star Trek, we decided to look primarily at examples of visitors to Earth getting it on with the locals, similar to international sexcations that occur in the real world. Of course, because we’re not too familiar with sci-fi porn, there are likely a few good sex scenes we’ve left out. Feel free to tell us about them (if you’re not embarrassed) in the comments section.
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I apologize for being such a negative S.O.B. this week, but at least it seems to help with other blogs‘ dry spells as far as comments go, so I’m going to continue my “concern trolling” today in order to announce my low expectation for this Alien prequel, for which Fox reportedly is now bringing Ridley Scott back to the franchise to direct. I have a general distaste for prequels, so I’m obviously biased. I admit this completely. But what could really be the benefit to this? So we can actually witness the back story of the xenomorphs? If this is to be like most villain origins, I anticipate finding out the aliens were all orphans and/or had lost a childhood love to disease.

Okay, fine, I’ll end on a positive, hopeful note: if Scott can make the prequel less an explanation for why the xenomorphs are so evil and instead make an Alien film that’s basically Black Hawk Down in space (or is that what Cameron’s Aliens was?), I will totally be on board for this. I do like both Alien³ and Alien: Resurrection, so I guess I’m pretty much obligated to give this a chance.

Check out the rest of the film blog reactions after the jump:
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Thank God scientists finally found the missing link (aka Darwinius masillae, aka “Ida”). Now we can at last prove Charles Darwin right and be done with films like Expelled: No Intelligence Allowed, as well as all the seemingly pro-science movies that inadvertently ruined the theory of evolution. We now look forward to the “Ida” biopic, or at least a movie detailing the 26 years (give or take 47 million) it took for the discovery of her fossil to become a mainstream media sensation. Never mind that this is hardly the missing link between apes and humans. With almost 50 years passed since the release of Inherit the Wind, film-loving Darwinists need some kind of missing link story to grab onto.

It is true that cinema has not been so kind to Darwinism, giving us such mockeries as Evolution, Howard the Duck and Creature from the Black Lagoon. But filmmakers have consistently shown a special love for the concept of the missing link, at least. Although many movies depict the idea with little seriousness, and some feature negative portrayals of primitive monsters, there are a number of truly lovable creatures that represent the concept of the missing link on film. Check them out after the jump.
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Since today has been pretty light in terms of hype, and no stories have excited the internerds enough to truly qualify for an interesting roundup, I’m going with a topic I really enjoy writing about: the state governor training program popularly known as the movie Predator. Ever since Arnold Schwarzenegger took his political seat in California, making him the second cast member from the 1987 sci-fi actioner to be elected governor of a state (Jesse Ventura was the first), I’ve been waiting for the announcement that Carl Weathers, Shane Black, Richard Chavez, Elpidia Carrillo or Bill Duke is campaigning for a similar political position.

Former porn actor Sonny Landham, who played the Navajo soldier “Billy” in the movie, actually ran for Governor of Kentucky back in 2003, but he lost, which leads me to believe no more than one Predator costar can be in the office at any given time (Ventura led Minnesota up until 2003, the year Schwarzenegger took over in California). So, Landham should certainly try again in two years, as the “Governator” will be done with his second term in 2011.

If he wins, who shall be the next in line? I’m really hoping for Duke to run in his home state of New York. But if none of the original actors are interested, we can always depend on a whole new roster of candidates, thanks to the newly confirmed reboot of the Predator franchise, which Robert Rodriguez will be directing at some undetermined time (I’ve got serious doubts that it’ll really be rushed for the reported Summer 2010 release date). Any strapping young actors out there with dreams of a future in politics: tell your agents they need to get you in this movie.

Okay, enough of my own political dreams; and on to the few fresh responses to the reboot (particularly its titular pluralization) after the jump:

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With all the blockbuster movie trailers that debuted last week (they were officially released to be placed ahead of Watchmen), were you surprised not to see one for James Cameron’s Avatar? I wasn’t, but that’s because the to-be-groundbreaking 3-D sci-fi film won’t be released until this fall, and I’m expecting to see very little from it until at least midsummer. Well, it turns out that the main reason we didn’t see a trailer isn’t because it’s so early in the year; rather, it’s (rumored to be) because Cameron apparently can’t decide on how to market the thing. He’s supposedly passed on eight attempts at a trailer and is now at work on his own cut.

Here’s my idea: show as little as possible. You’re James Cameron and you haven’t given us a feature film in 12 years. And this one’s a return to outer-space sci-fi, not another sappy romantic disaster film. You really don’t need to show one second of footage. Because we’ll be there no matter what.

However you do it, though, as a result of this rumor you have to give us something. The geeks are restless:

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If you buy the kids only one new video release this week, make it Pinocchio. Obviously. But if you have enough spending money to buy two, pick up Howard the Duck as well. Finally on DVD in America (with a Special Edition no less), the infamous flop is anything but a great film. Yet it is hardly one of the worst films of the 1980s, despite its reputation.

For the past 23 years, I’ve stood by my childhood love for Howard the Duck, constantly acknowledging that I even owned Ellis Weiner’s novelization of the film. Technically, the best reason to defend the movie’s existence is that it directly led to the creation of Pixar. But this reason doesn’t influence anyone to watch the thing. So, in order to defend the movie’s onscreen worth, I’ve come up with ten points for why you should pick up the new Howard the Duck disc and not feel at all guilty about doing so.
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I found it unnecessary yesterday to be the billionth blogger to link to the Christian Bale tirade, but today I want to roundup some of the damage control, both direct and indirect, that should hopefully water down the seemed significance of yet another recording of yet another actor having yet another bad day. Because when big media like the Daily News finds it newsworthy and gets poll results from readers believing it to be more “bad attitude” than “bad day,” it’s necessary to spin the positive and concentrate on what we should be concentrating on: the actual movie being made.

• So, first direct your attention to some cool Terminator Salvation images recently published by Wired, and specifically focus on the image of the “Hydrobot” (thanks to I Watch Stuff for spotlighting it). Is this some kind of special tribute to two of James Cameron’s other great films? And should we be on the lookout during the film for sinking ships and flying Piranhabots?
• Nikki Finke has updated her initial post with a quote from an unnamed source: “Christian and the DP are all good now. It happened. It was one isolated event. He regrets that he lost his temper.”
• 1st AD Bruce Franklin, who was somewhat involved in the incident, also defends Bale to E! News as simply having had a bad day: “He is so dedicated to the craft. I think someone is begging to make some noise about this, but I don’t think it’s fair. The art of acting is not paint by numbers, it’s an art form.”
• Similarly Terminator Salvation costar Terry Crews comes to Bale’s defense on Hollyscoop: “He is a class act! He is one of the greatest actors ever. You can catch anyone on a bad day.”
• Heckler Spray’s Stuart Heritage believes that after last year’s arrest coinciding with the release of The Dark Knight, this rant is merely Bale’s latest means of film promotion: “Christian Bale’s next movie is the Michael Mann film Public Enemies. Lord alone knows how he’s going to promote that one, but we’d wager that it’ll involve a tank of petrol, a lighter, a box of puppies and some sort of tribal dancing.”
• Rope of Silicon highlights both Herzog’s Fitzcarraldo and the David O. Russell/Lily Tomlin incident as proof that blow-ups like this are not uncommon.
• Cinematical’s Scott Weinberg and William Goss have made a parody audio that shows just how common such work-related tirades can be. Yes, even bloggers have bad days.
• Of course, others are using this as an opportunity to show how perfect their own sets are. On The Today Show this morning, Matt Lauer and friends shared a similar incident involving a wandering crew member that didn’t result in bad behavior. Watch the better-than-thou display here.
• Finally, the best way to positively spin a negative story such as this? Dance remix! Check it out after the jump.
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Both are broadly classifiable as science fiction, but Alien is basically a horror flick and Aliens has all the conventions of a war film. That’s a pretty slick transition from one type of movie to another, especially since the switch was so immediate within the series. Most movie franchises don’t play with genre in such a way until they’ve gone through a number of sequels, and even then the series usually just simply takes its characters into outer space, a la Moonraker, Jason X and Leprechaun 4.

Genre jumping isn’t that easy, though, unless a franchise inhabits a whole universe in which to expand through. Like Star Wars, for example. Originally a film series, the Star Wars franchise spread out into novels, which has allowed for dips into the romance genre and now horror. That’s right, an upcoming novel by horror author Joe Schreiber, titled Deathtroopers, takes the Star Wars universe into frightening territory described by Schreiber as “in the vein of The Shining and Alien, with a little dose of William Gibson mixed in.”

So, if Star Wars can venture into the horror genre, what other movie franchises should attempt a genre jump? To toy with the idea, we’ve selected five film series in need of a change and suggested a possible redirection of genre for each.
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• Ben Stiller is replacing Mark Ruffalo as the male lead in Noah Baumbach’s comedy-drama Greenburg, which has also just lost female lead Amy Adams. Between this and the news that Stiller’s directing The Trial of the Chicago 7, it appears he’s headed for a more serious course. If so, he should try and get that Zoolander sequel made before he becomes the next Tom Hanks. Joking aside, though, this could be good for those of us who prefer his performances in Permanent Midnight and Your Friends and Neighbors.
• Hollywood is making yet another apocalyptic alien invasion movie, yet the latest, a comic book adaptation called Atlantis Rising, involves a threat from beneath the ocean. Obviously, it’s labeled a cross between two James Cameron films, Aliens and The Abyss.
• Oliver Stone’s latest documentary about a controversial world leader will focus on Venezuelan President Hugo Chavez, who he’s been filming for six months. There’s also rumor that he’ll follow that up with a doc on Iranian President Mahmoud Ahmadinejad.
• Speaking of Stone, for those who wished Will Ferrell had played the lead in W., HBO is airing a live telecast of Ferrell’s upcoming Broadway show You’re Welcome America. A Final Night With George Bush. The date of the telecast is still unrevealed, but it’s likely to be in March.
• Oscar ratings in France should be huge this year, because Jerry Lewis has been named to receive the Jean Hersholt Humanitarian Award at the Academy Awards.

• Amy Winehouse swears the producers of Quantum of Solace will be sorry that they hired Jack White and Alicia Keys to record a Bond theme instead of choosing her, still-unrecorded tune. Without giving Amy too much credit, Vulture points out that the wrong bond songs have been left behind before. If Amy’s in a club with Scott Walker and Pulp over one with Madonna and Sheryl Crow, she should probably keep her mouth shut.
• From Mental Floss’s list of “4 Alfred Hitchcock Secrets”: why Hitch’s initial plan for the end of North by Northwest was foiled, and how Hitchcock came to be okay with it.
• The TakePart Blog points to the above Star Trek spoof, in which Kirk deports illegal alien Spock, and then, when he can’t figure out how to do anything for himself, lives to regret it.

After being extremely jealous of anyone out in L.A. who attended last month’s “Dante’s Inferno” program at the New Beverly, I’m glad that I now get to enjoy something new and Joe Dante-related. Even if it only has to do with characters from his films.

Yes, those are THE Gremlins appearing in a British ad for BT Group (if the YouTube is down, visit the link for another format). Complete with Mohawk, the trademark giggles and Jerry Goldsmith’s theme song. And they’re not selling Direct TV!!! This ad actually adds to the franchise in a way that respects my childhood. Take that, Christopher Lloyd and Sigourney Weaver!

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