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Joe Swanberg & Kris Swanberg Interview, SXSW 2009

Noralil Ryan Fores
By Noralil Ryan Fores posted 8 months ago
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As a wedding present, Kris and Joe Swanberg received, among other gifts, an ice-cream maker. Almost immediately, Kris found herself experimenting with recipes—whiskey with bread pudding, hot chocolate with roasted marshmallows, coffee and doughnut and gingersnap cookie, four flavors a season. She sells them now by the pint at a local grocery store. During the day Kris heads to work as a substitute teacher, and though she loves teaching and is pursuing her graduate work in higher education, it’s a transitional occupation that she says is rather worthless and unfulfilling.

Joe, meanwhile, constantly developing ideas for a seemingly endless list of to-make films, struggles with all those mundanities that thwart his creative productivity. “Doing my laundry or washing my dishes, all of these tasks are cutting into time that I could use to be making work,” he says. “If I could employ a labor force to dress me in the morning, do all these tasks, drive me places, and if I could have people simultaneously scouting locations for several different projects and setting up the paperwork with SAG, then I’d have the energy within me to make six or seven features a year, I’m sure. Now, I’m just physically incapable of it.” The statement, made during an initial interview, is all the more humorously appropriate considering that Kris answers the phone for the second of the two lengthy conversations saying, “Oh, I’ll get Joe; he’s just folding socks.”

In many ways, as most couples do, Kris and Joe see and think in very different manners. While Kris tends not to debate film, or even at times actively note it, Joe delves into every nook and cranny of a cinematic trend or debate. While she’s articulate although softer spoken, he’s passionately, loudly declarative. While she finds comfort in realism, he finds himself moving into a greater period of experimentation. Yet for all of these differences, and perhaps because of them, the Swanbergs have weathered ten years together of both romantic ramblings and professional collaborations. This is only just the briefest of glimpses at the Swanbergs as a couple.

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LAFF Diary: Another Classic From Minneapolis

Karina Longworth
By Karina Longworth posted 1 year ago
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I grew up in Los Angeles and have fractured but fierce memories of seeing movies in Westwood, the theater-packed micro-city surrounding UCLA, in which the Los Angeles Film Festival is now based. I think I saw Jurassic Park four times at the Avco. I know I saw my first Lubitsch movie (Design for Living) at UCLA. Yesterday I was standing in line at Rite Aid and had some kind of out-of-body flashback experience of getting ice cream at the same Rite Aid after my mother took me to a matinee of Flight of the Navigator. I’m sure people go to film festivals in their hometowns all the time and don’t think it’s weird at all, but I get painfully nostalgic. I, like, went to school and stuff, but hanging out in these theaters for entire summers is how I fell in love with movies.

Funny, then, that I’ve been here for almost two full days and I haven’t yet been able to see a single film. Part of this is a scheduling issue––I got in too late on Monday to make it to a screening, and I had already seen many of the films that played yesterday, including Medicine for Melancholy and The Pleasure of Being Robbed. I did actually try to make a screening of Largo, the documentary about the famed Fairfax club, but I, um, went to the wrong theater by mistake and missed it. And then, there were parties to go to. More on that, with photo evidence, after the jump.

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