As if this year’s Oscars ceremony wasn’t abnormal enough, next year’s telecast is sure to be even weirder. Today the Academy of Motion Picture Arts & Sciences announced that it’s increasing the number of Best Picture nominees from five to ten. This isn’t a totally odd idea, since the Academy Awards used to nominate ten films for the big prize, but the last time we saw so many candidates was 65 years ago, when Casablanca beat out nine other titles for the win.

The first thing that I thought — and I’m sure I’m not alone — was, “are there actually ten great films made per year?” Certainly we’re a far, 70-year cry from 1939, considered to be the peak of American cinema, when Hollywood released such masterpieces as Stagecoach, The Wizard of Oz, Mr. Smith Goes to Washington, Ninotchka, Dark Victory, Wuthering Heights, Of Mice and Men, Love Affair and Goodbye, Mr. Chips, all of which ran up against and lost to Gone With the Wind.

The second thing I thought is that the Academy is really slapping both The Dark Knight and WALL-E in the face with this change. Now, comparatively, should Star Trek and Up really be the ones to make up for those “snubs”? They’re good, but they’re not that good.

Check out the rest of the film blogosphere’s reactions after the jump:
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Yesterday, for the second time in two weeks, In Contention’s Kristopher Tapley confessed to being done with 2008 and noted a bunch of anticipated 2009 films. These aren’t necessarily titles he’s looking forward to seeing, though; it’s basically a preliminary jump on next year’s Oscar season. Because apparently this year’s Academy Awards are all but handed out, the winners properly predicted and expected, and now it’s time to think about what will be up for what in 2010. Those titles Tapley lists are Rob Marshall’s Nine, Peter Jackson’s Lovely Bones, Michael Mann’s Public Enemies, Clint Eastwood’s “Mandela“ (formerly The Human Factor), Richard Curtis’ The Boat That Rocked, Scott Cooper’s Crazy Heart and the latest from Terrence Malick (The Tree of Life), Steven Soderbergh (The Informant), Paul Greengrass (Green Zone), Martin Scorsese (Shutter Island) and James Cameron (Avatar).

Oh, and then Jeff Wells had to go and hint that Spielberg’s Lincoln is likely to arrive by year’s end. What and who else is being foreseen as nominated this time next year? Check out the links after the jump.

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Salon’s Stephanie Zacharek has filed a long dispatch from the Berlin Film Festival, where she’s seen and loved two films that have been widely derided by the bulk of the press corps: Tom Tykwer’s opening night flick The International, and Lucas Moodysson’s Michelle Williams-starring Mammoth. Being on the wrong side of the angry mob has led Zacharek to contemplate what she perceives as a pronounced anti-Hollywood bias among critics at the festival. First, w/r/t The International:

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• Stu at Defamer takes a look at this year’s Oscar nominees that debuted at last year’s Sundance and predicts that An Education will receive Academy Awards recognition one year from now.
• One of this year’s Sundance films has already been nominated for an Oscar: the animated short This Way Up.
• And one of this year’s Oscar nominees almost wasn’t a Sundance selection: AJ Schnack samples from an IDA interview with Geoffrey Gilmore in which Man on Wire is said to have nearly been rejected.
• The Envelope points out three Oscar nominees who are at Sundace this week: Josh Brolin, Melissa Leo and Michael Shannon, the latter of whom stars in The Missing Person.
• Four directors/projects have been named winners of this year’s Sundance/NHK International Filmmakers Awards.
• Anne Thompson’s summary of this year’s fest notices it was a “time of transition for both Sundance and the industry,” while also quoting manager Michael Sugar, who believes it was a return to the past: “This year’s fest started to recapture the intended spirit. It seemed back to being about the filmmakers.” Also at Variety, Todd McCarthy’s summary notes that An Education and Sin Nombre were the two emblematic films of the fest, and both fit in with the start of the Obama age.
• Manohla Dargis’ NY Times summary concentrates heavily on the presence of Sundance hero Steven Soderbergh, whose latest film she didn’t care for.

Following Monday’s drama involving Fox Searchlight’s bid for An Education, Sony Pictures Classics was able to bring the price down and pick up North American and select Latin American rights to the coming-of-age drama for a reported $3-4 million. It’s the distributor’s first acquisition during this year’s festival, having already bought some titles pre-fest. Also making its first buy of the year, Lionsgate acquired US and UK rights to James C. Strouse’s basketball comedy The Winning Season.

Check out our Sundance Deals chart for the full scoop on these two deals and the rest of the acquisitions as of this morning.

• A few films were sold in the past 24 hours, but Lone Sherfig’s An Education was not one of them. Reportedly, Fox Searchlight offered around $1 million for the Nick Hornby-scripted coming-of-age drama, yet the film’s co-reps CAA and Endeavor are asking closer to $10 million. As if any title could seriously expect that high an amount during the “subdued” Sundance of ‘09.
• Oh, by the way, here’s another possible reason for slow sales this year that we missed yesterday: too many co-repped films make for confusing negotiations.
• IFC Films held a press conference yesterday to reveal that, for the first time, the distributor will release a film to VOD day-and-date with its world premiere at this Spring’s SXSW. The film will be Joe Swanberg’s Alexander the Last, and it’s one of a bunch of new titles, including the latest from both Phillipe Garrel and Denys Arcand, slated for IFC’s Festival Direct VOD channel. Steven Soderbergh says that these days filmmakers’ have to “let go of the fantasy” of receiving conventional theatrical releases for their work.
• Also from the IFC press conference: Karina asks about whether on demand data will ever be released a la box office figures; Swanberg tells festival directors that its up to them whether or not VOD kills festival runs; Soderbergh calls BluRay “the worst launch of a new format in the history of formats.”
• And in other IFC VOD news, the NY Times got it wrong last week when it reported that IFC’s hoped-for 250,000 VOD viewers for Soderbergh’s Che would be the equivalent of an $18 million box office take. The figure, corrected during a Sundance panel discussion, would be more like $1.8 million.

• It was only a matter of time before some journalist tied Barack Obama to the outlook of this year’s fest. In the Toronto Sun, which says to “call it the Obamafication of Sundance,” festival director Geoff Gilmore is quoted as saying “A lot of the work seems to be putting us into another world — I don’t know if it’s escapist, but it is about fantasy and the future, and there’s animation we didn’t see in the past … Whether that’s a reflection of the times we live in, or just an aesthetic trend line of the moment, I don’t know.”
• While the fest has been called “subdued” this year, some non-film nonsense will still be occurring this weekend as Ashton Kutcher and Digg co-founder Kevin Rose co-host an interactive online game show in Park City called 24 Hours of Sundance and viewable at Qik.com.
• Two distributors actually looking to load up on a few films this year, in spite of the economy: Oscilloscope and IFC Films. Also at Variety: a list of the 19 films with buzz going into the fest.
• The Hollywood Reporter spotlights the growing trend not to use Sundance as a film market. They also highlight lower-profile buzz films to watch out for, including dramas Amreeka; Five Minutes of Heaven and Bronson and docs The Cove and The Carter, and predict acquisition for 10 films.
• Stu Van Airsdale, at Defamer, meanwhile predicts bidding wars for five films: I Love You Phillip Moris; An Education; The Greatest; Cold Souls; and Bronson.

Here’s our running tally of each of the distribution deals announced just before, throughout the course of, and just after the 2009 Sundance Film Festival. We will update this post whenever new information comes in, so bookmark it and keep checking back for the newest latest.

• The cat is out of the bag for Paper Hearts, a new movie starring Michael Cera about his real-life relationship with actress Charlyne Yi (Knocked Up). The part-doc, part-scripted comedy was apparently hoping to slip into the 2009 Sundance Film Festival completely under the radar in order to keep expectations in check. Now we’re all talking about it, and it’s sure to be one of the hottest tickets in Park City (as long as it’s indeed selected for the fest). Other titles expected to be named next week for the Sundance slate include the Ashton Kutcher starrer Spread, the Nick Hornby-scripted An Education and Antoine Fuqua’s Brooklyn’s Finest.
• Following in his sister’s footsteps, Madonna bro Christopher Ciccone will make his feature directorial debut with a teen thriller titled Twist.
• The Dardenne brothers have accepted the position as heads of Europa Distribution, a two-year-old collective of independent film distributors that acts as a lobby, think-tank and network for the European film industry.
• In other European cinema news, due to the current economy, both the San Sebastian and CineKid film festivals are on the verge of going out of business.
• This should have been the year everyone got a Blu-ray player for Christmas, but despite lowered prices, the current recession will likely still keep consumers from adopting the format.