• Shia LaBeouf will take a pause from Transformer movies and unofficial Hitchcock remakes long enough to star in an adaptation of the new John Grisham legal thriller, The Associate. The film will be produced by Lorenzo di Bonaventura, who oversaw past Grisham films The Client and A Time to Kill. Could this mean director Joel Schumacher will also be on board?
• Peter Farrelly (one of the brothers) and producer Charles Wessler are putting together a comedic portmanteau (or anthology) film with 24 shorts utilizing the writing and/or directing talents of such vets as Brett Ratner, Todd Phillips, Mike Judge and potentially Josh Gordon and Will Speck. The sole Farrelly will direct two installments, but for some reason his brother Bobby is not involved with the project.
• The media thrashing of Australia includes the film’s reception Down Under, where it isn’t being greeted as the national treasure Fox hoped it’d be. Sure, it didn’t open as big as Mamma Mia! there, but if you look at usual figures for Oz, a US$5.1 million opening is actually pretty good. Besides, did the studio really think Aussies would let it topple Crocodile Dundee for the title of national treasure?
• Is Kung Fu Panda now the animated feature to beat at the Oscars? The film racked up more than double the amount of Annie Award nominations Wall-E received.
• Blockbuster stores still exist? I guess the few still out there will now be making some side money through a deal to sell concert tickets via LiveNation. Wait, people still buy concert tickets in person?

While I should have been a good cineaste and watched some Oscar-worthy documentaries or some Sundance-originating indies, I saw two mainstream movies this week. One was this past weekend’s box office winner, Beowulf; the other was Enchanted, which will surely be the Thanksgiving weekend champion. I found neither of them to be very remarkable in terms of storytelling, but each does have some significance to cinema, and each is noteworthy for its respective blurring of animation and live-action.

Obviously, Beowulf is animated. It is so far considered eligible for the Animated Feature Oscar, and aside from its few bits of photorealism, it looks like a cartoon (or a video game). But because the movie was made with real-life actors, who were “performance-captured”, there is still that link to live-action filmmaking. And there was hardly much reason, in my opinion, why it necessarily had to be made as an animated film. Meanwhile, Enchanted is primarily live-action, but it does have some bookending animated sequences, which figure into the gimmicky plot of a 2-D Disney Princess who magically finds herself in the 3-dimensional world of New York City. But it probably could have been fine as a completely animated film — maybe it could have been the Wizard of Oz of computer animation (as in 2-D to 3-D animation rather than black and white to color film). As it is, the “real-life” parts of Enchanted seem too artificial anyway.

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