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Russell Brand is the New Dudley Moore. Trade Roughage 12/04/08

Christopher Campbell
By Christopher Campbell posted 11 months ago
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  • Russell Brand is remaking Arthur and may star in the title role, which originally earned Dudley Moore an Oscar nomination. Hopefully it’s not too big a hit, though, because we can do without another Arthur 2: On the Rocks. However, if Brand is the new Moore, I’d love to see him in a redo of Mickey + Maude.
  • Another remake:  John Carpenter’s They Live is being recycled at Universal, and hopefully they’re eyeing a WWE star for the lead. Triple H perhaps? Or John Cena? The new film will join the mixed bag of Carpenter redoes including Halloween, Assault on Precinct 13, The Fog and the upcoming Escape from New York. At this point it seems that every one of Carpenter’s films will have been remade by the time he’s dead.
  • And yet another remake: Fox is redoing Romancing the Stone, which is a shame, because they should just continue the franchise. Even if they still recast all the characters, it’d be better than a straight copy.
  • Finally something original: Lorne Michaels is making a movie about David Fishman, the 12-year-old aspiring food critic recently profiled in the New York Times. Sounds a bit too cute for my taste buds, but I’m always down for more foodie movies.
  • Hilary Swank still needs a better agent, unless she really wants to make yet another lame stalker thriller.

Pineapple Express and A Brief History Of Plot Songs

Karina Longworth
By Karina Longworth posted 1 year ago
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This is it, the day we’ve been waiting for two full decades (or, at least, since we first heard it was happening back in December): the Huey Lewis plot song written specifically for the David Gordon Green-driected, Judd Apatow-produced stoner comedy Pineapple Express has hit the web! The Playlist first posted a clip of the song last night; today, Whitney at Pop Candy points to the full thing, available for streaming or download on MySpace.

It’s very much in classic Huey Lewis plot song mode, complete with gratuitous hand claps and sax solo. It’s not as directly narrative as, say, “Back in Time” (above), but it’s slightly more literally connected to the film than, like, “The Power of Love.” A sample from the chorus: “How did we get into this mess? Pineapple Express! Can’t deal with this stress! Totally gone, cause we’re on, Pineapple Express!” It is the best, and it is also totally the worst.

As we’ve discussed before, plot songs take the science of the source cue to a new level. After the jump, a brief, video-guided journey through plot song history. Let us know what we’ve left out.

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