Former New Line heads Bob Shaye and MIchael Lynne have announced 
How often do you get Barbet Schroeder, Gerard Depardieu and Nestor Almendros together to shoot a film about a burglar who ends up falling in love with the dominatrix whose dungeon he’s unwittingly tried to rob? In a scene at the very beginning of Schroeder’s exquisitely paced, beautifully executed Maitresse the tone is brilliantly set for the relationship – and thus the film itself – through Almendros’ meticulously composed images. His camera captures Depardieu’s fair Olivier and his dark-haired partner-in-crime (whose bad idea it was to burglarize the “downstairs apartment”) in a hornet’s nest of their own making, caught in the act by Bulle Ogier’s “Maitresse” Ariane, and subsequently handcuffed to her radiator and guarded by a vicious Doberman named Texas.
But wait––if this doesn’t sound like a setup straight from the twisted mind of David Lynch I don’t know what does. Indeed, what’s most striking about the erotically charged scene that follows is how closely the psychological power dynamics of Schroeder’s Maitresse parallel the infamous “Bobby Peru seduces Lula” scene from Wild at Heart. In both cases no actual sex takes place. Instead there’s a steamy sadist/predator (Bobby Peru, Ariane) sinking his/her teeth into a piece of lost prey (Lula, Olivier). Both Lula and Olivier are turned on against their will, psychologically “raped,” so stunned at losing control that they’re not even fully aware of the situation they’re in, let alone how to escape it. The difference lies in the relationship between the characters. Lula is rendered helpless until Bobby releases her when he’s “gotta get going.” She’s just a toy for Bobby to kill time with in the afternoon, whereas Ariane plays for keeps – a spider whose web encompasses. Ariane takes over her “victims” wholly, completely and unapologetically. And like Bobby knowing enough to drop in on Lula unannounced – ensuring her defenses will be down – Ariane takes advantage of the element of surprise (burglars dropping in unannounced – how convenient!), wielding it like a stun gun before the attack.
