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10 Lost Theories Inspired by Movies

10 Lost Theories Inspired by Movies

Christopher Campbell
By Christopher Campbell posted 6 months ago
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Who could possibly want to read/write/talk about movies on a day like this? It’s the day after the Lost Season 5 finale (aka “The Incident”), and that is the topic everyone’s searching, researching and discussing on the web this afternoon. So, we might as well join in the fun by devoting today’s list to that beloved yet frustrating TV show. Of course, we have to keep things at least relevant to the movies, this being a film blog and all, but it’s not really that difficult to do so. For a show that constantly references and pays tribute to movies, it might actually be harder to write about Lost without citing certain film titles.

Many fans of the series are no doubt seeking out and/or devising theories about what will transpire next, in Season 6. We say, try to get inside the movie-loving minds of Lost executive producers Carlton Cuse and Damon Lindelof. Surely whatever they’ve cooked up for the final season is inspired by one or more films. Stop your looking into the Bible, philosophy text books and the work of Flannery O’Connor. Instead, start your search for answers with the following ten theories, all based on movies.
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There Will Be Bible Study

Christopher Campbell
By Christopher Campbell posted 1 year ago
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Sometimes you leave a movie with questions, and maybe you think the source material will have answers. Or maybe you are simply interested in reading the novel that inspired or was adapted into that movie. But walking out of There Will Be Blood last night, I wasn’t so inclined to read Upton Sinclair’s Oil! Instead, I wanted to rush to the nearest Barnes and Noble and pick up a copy of the Bible.

I’ve taken enough film classes to know that it helps to have an understanding of the Bible in order to properly discuss a lot of cinema’s greatest works. However, I’ve managed to get by just fine in my film studies without having picked up the Good Book. Maybe I’ve depended too much on other scholars and experts to spell out the religious connections in specific films, but with There Will Be Blood I’m finally thinking its time to do the reading on my own. Most films studied in my classes had those obviously apparent shots evoking Biblical imagery — a man positioned in a crucifix pose, two distinct lines intersecting like a cross, etc. — and it was easy to think I knew enough to notice basic parallels. When it came to more specific Biblical allusions and imagery, I simply missed out on some deep textural appreciation, no different than missing out on allusions to other texts unread by or unknown to me.

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