“There is, of course, cause for concern, and even alarm.”

These were some of the first words out of moderator Annette Insdorf’s mouth, at the start of a panel called Snip Snip: Are Cutbacks in Film Distribution and Criticism Affecting Quality Filmmaking? in Telluride on Sunday. She ticked off all the alarming factors––studio-funded arthouse distributors like Paramount Vantage and Picturehouse are shutting down; marketing costs for the average film have risen to the $20 million range, which means that true indie distributors can’t compete; there’s a glut of films in both festivals and in theaters; print outlets dedicated to film have all but disappeared, and general interest publications have come to see critics as a luxury. She closed this listlessness-inducing laundry list with the question, “Will we simply have to read blogs to be informed about non-Hollywood cinema?” The distributors and journalists on the panel (including Michael Barker of Sony Pictures Classics, Anne Thompson of Variety and Scott Foundas of Village Voice Media) ended up taking this querie and running it into a lively, contentious debate. But first, Paul Schrader declared that he’s already heard the death rattle of cinema as we know it.

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