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Five Thoughts on Independent Filmmaking from SXSW Film/Interactive

Five Thoughts on Independent Filmmaking from SXSW Film/Interactive

erickohn
By Eric Kohn posted 7 months ago
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It’s no coincidence that SXSW’s Film and Interactive conferences take place simultaneously, before the hefty barrage of musicians rock and roll into town for the second half of the festival. With Internet-based tools no longer merely an option for all filmmakers to get a handle on but a requirement, the usual discourse on industry issues like distribution and marketing belong squarely within the progressive region of the interactive conference. Even certain Film conference panels not directly advertised as taking the film/interactive crossover approach still had to address a number of questions about the evolution of the industry in the face of new media paradigms. Here’s a snapshot look at some of the more potent themes that emerged at the Austin Convention Center last week. At least, these are the ones that stood out on my notepad; feel free to share yours in the comments section below.

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Chickflicks and Chicks Ditch. Trade Roughage 06/08/08

Karina Longworth
By Karina Longworth posted 1 year ago
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  • Kung Fu Panda made $60 million this weekend, 150% of the gross of the weekend’s number two film, You Don’t Mess With the Zohan. Sex and the City dropped 63% to fourth place; power blogger Peter Bart says its because the women of America spent the weekend atoning for the previous ten days of cosmo-steeped empowerment fantasies by bowing to the demands of their boyfriends and children. Which may not bode well for…
  • Chickflicks, a new indie production company headed by Sara Risher and Stephanie Austin, which will produce two or three films per year with women in mind. Risher, hooking the project to the success of Sex and the City, said “the underserved market for intelligent, emotional films with relatable female characters has spoken emphatically.” For one week, at least.
  • Meanwhile, Mongol, one of the very last films to come out under the Picturehouse banner, easily won the specialty race this weekend, with a per screen average of $26,627. Also: Bob Berney is apparently planning on going into business with unidentified pedestrians.