While Karina (and indieWIRE) sits off to the side celebrating the recent indie box office record-breaker, most of the interweb is talking about the weekend’s mainstream achievements. Well, actually people are mostly focusing on just the shocking success of Friday the 13th, which I believe broke records for its franchise, its genre, its rating and for President’s Day weekend (though not for the month of February). As for the other monumental marker, Paul Blart: Mall Cop, I’ve seen maybe two bloggers comment on how it’s just passed $100 million. How is this a remarkable feat? Well, not only does this make Paul Blart the highest grossing January opener ever, but the oft-derided comedy is also the first film to debut in January to reach the $100 million point (not counting the special edition re-release of Star Wars, that is).

As this is a holiday and most of the web cinephiles are celebrating appropriately by watching North by Northwest or Point Break, there isn’t much else being written about, so here are some noteworthy quotes and links regarding the stunning box office figures:

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• Bad weather is being blamed for weak box office results this weekend from new wide releases Yes Man, Seven Pounds and The Tale of Despereaux, all of which performed worse than expected. Because there’s no other reason why moviegoers would just choose to avoid seeing lame-looking movies from Jim Carrey, Will Smith and Universal’s animation department. It is actually sad for Smith, who hasn’t seen an opening this bad since 2001’s Ali. And Seven Pounds marks only his third film to debut with less than $20 million since his blockbuster breakthrough in Independence Day.
• Apparently snow couldn’t stop The Wrestler from achieving a screen average of more than $52,000 over the weekend. But isn’t that just because people in NYC don’t have to drive to the movies? Fox Searchlight’s other film, Slumdog Millionaire, finally broke the Top 10 after expanding to 589 screens. And although Searchlight’s stellar buzz team claims the Oscar-contender was “selling out everywhere,” its own average was actually embarrassingly below that of Seven Pounds.
• We’re going to need a modern day Edward Arnold if Bernard Madoff-types are going to be the hot villain for ‘09.
• You know your comic book publisher didn’t get the best production deal when it announces that its first adaptation stars Kevin Sorbo. Meanwhile, you know you’re experienceing a slow news day when that’s one of four stories worth bulletpointing.

• While at the Dubai International Film Festival over the weekend, Terminator Salvation director McG “announced” that a fifth installment of the Terminator franchise is definitely in the works, although The Halcyon Co. revealed over a year ago their plans for a trilogy. That McG is back to helm the installment must mean Halcyon is happier with the way Salvation looks than some of us are.
• As rumored, Chris Weitz will indeed take over the Twilight franchise from exited director Catherine Hardwicke. And yes, for those who agreed the job was only appropriate for another woman, Chris is short for Christopher.
• F/X artist-turned-director Stephen Norrington is finally following up The League of Extraordinary Gentlemen with the remake of The Crow that’s been talked about in Hollywood for awhile. I wonder if Jason Statham is still interested in playing the lead.
• The Dark Knight seems to be for Blu-Ray what The Matrix was for DVD a decade ago.
• Oh yeah, the weekend’s box office results: well, The Day the Earth Stood Still managed to just barely edge out The Happening to be the higher grossing of the year’s lame eco-sci-fi films. The animated film you never heard of, Delgo, couldn’t make a million bucks on more than 2,000 screens, while the Bollywood film you never heard of, Rab Ne Bana Di Jodi, cracked a million bucks on about 100 screens. And a ton of limited specialty films, including new releases Gran Torino, Wendy and Lucy, The Reader, Doubt and Che, all had better per-screen-averages than did the #1 film, The Day the Earth Stood Still.