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Writers Strike: Fans Talking Thanksgiving Boycott

Karina Longworth
By Karina Longworth posted 1 year ago
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wgastrike.pngTalk is brewing on Nikki Finke and Jeff Wells‘ sites of promoting a movie theater boycott over Thanksgiving weekend as a show of solidarity with the striking writers. The concept, says a commenter calling him/herself “writer/producer”, is simple: “All you have to do is stay home and spend more time with your families…Thanksgiving is one of the biggest weekends of the yeah and lowering the box office take that weekend will really hit the studios hard. Hard core fans could even picket their local movie theaters if they wanted to…”

For his part, Wells says he’ll support a boycott if it happens–”Hitting the producers and studio chiefs where it hurts is pure Frank Capra, but I love it”–but maybe he should take minute to think it over. Another Finke commenter says advocating such an organized show of solidarity would be illegal: “Secondary Boycotts are illegal Big-Time! While it might help a lot to boycott the theaters over the thanksgiving weekend it is very illegal to advocate that, especially on Nikki’s board which would surely be closed down when the first Studio Mogul secretly objected.”

A couple of hundred potential ticket buyers picketing on CityWalk would certainly cause a media-friendly ruckus, but I seriously doubt such a boycott could happen on large enough a scale to make any real difference. The fact is, there are five major studio films opening that weekend, many of them family-friendly films with aggressive ad campaigns. It seems hugely unlikely that anyone outside of New York or LA with plans to take the whole family to see Enchanted or This Christmas is going to care enough about a labor issue (especially one that they perceive impacts rich people) to stay home.

Horror off

Paul Moore
By Paul Moore posted 3 years ago
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Ah. Fear.

The sudden sensation of having my gut gripped in a vice and lurched up into my throat as I sit in a dark theater. Slowly unclenching my muscles as the credits roll after spending 90 minutes suppressing the most primal of my instincts: fight or flight. Waiting weeks for the tingly tremors going up my spine every time I go into the basement to subside. Waking up in the middle of the night to two teenagers talking outside on the sidewalk and thinking they’re a duo of escaped convicts in my living room. These are just a few of the side effects I get from watching a 90-minute horror flick.

As a boy, I once overheard some kids at the back of the bus talking about A Nightmare on Elm Street. For months afterward I sang “Jesus Loves Me” every time I made the walk from my bed to the bathroom. Herein lies the real lasting effect of horror. It’s simply not a 90-minute “roller coaster ride,” as so many people might say. Your imagination never conjures up a roller coaster jumping out of the closet with a knife while you’re babysitting. Horror sticks with you like an ice pick in your consciousness. Forever.

Ever notice most horror movies only need 90 minutes to mess you up, while most dramas need over two hours to engage you? There’s something unhealthy about that. To people who say horror fulfills a natural desire to get spooked, I say, “Sure, and Red Bull is a natural source of vitamins.” And how old the movie–or the viewer–is has no bearing on whether or not it’s scary. In The Innocents (1961), when the ghost of the butler suddenly glides into the window behind a little boy standing in a dark greenhouse, I popped. I’m thirty freaking years old and later that night, as I tried to go to sleep, I couldn’t convince my adult brain the butler was not gliding up next to my bed.

For all the squeamish whose horror-loving buddies always talk you into midnight shows, quit cold turkey. It’s the Great Pumpkin, Charlie Brown is plenty enough for your spook supplement. Want more? Agree to a TBS showing of the original Halloween with all the freaky parts cut out. Dying in a car accident, catching the West Nile virus from a mosquito, finding Mercury behind the furnace, these are all legitimate fears we endure every day without having to lose sleep over whether or not a butler will be floating over me when I open my eyes.

Boycott horror. For the children.