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Lars Von Trier Returns to Sci-Fi. Today in Film Bloggery 10/09/09

Christopher Campbell
By Christopher Campbell posted 1 month ago
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After years of gut-wrenching “Golden Heart” films, chalk-outline experiments about “America,” a co-founded movement for pure cinema and other infamous works including his most recent, the explicit horror film Antichrist, it’s easy to forget that Lars von Trier started his feature film career in the science fiction genre. Of course, he being who he is, Von Trier’s dystopian detective story The Elements of Crime isn’t easily identifiable as sci-fi.

And neither, I’m sure, will be his next venture, a “psychological disaster” film titled Planet Melancholia. I’ll ignore the Hollywood Reporter’s reference to “Roland Emmerich territory,” especially since it follows the equally asinine description of Antichrist as being in some way related to a slasher film, and stick to comments from Von Trier and his partner at Zentropa Entertainment, Peter Aalbaek Jensen.

First: The filmmaker’s statement of “no more happy endings!” could easily be the next Von Trier t-shirt, joining the recently released “chaos reigns” design and the Van Halen-style tee.

Jensen added that hopefully no genitals will be cut off, that there will be some special effects employed, that this won’t be about an alien invasion (though there apparently will be a threat from the titular planet) and that this will be “romantic, in a Lord Byron sort of way.” I’ll admit the only familiarity I have with Byron is as a character in Bride of Frankenstein. But regardless, as a longtime fan of Von Trier’s, I’m excited for this film no matter what the inspiration or comparison.

After he dedicated Antichrist to Andrei Tarkovsky, though, I’m really hoping Von Trier sets his new film on a spaceship, a la Solaris. You know Von Trier in outer space would be the greatest thing of all time.

Check out what other film bloggers are saying in response to this news after the jump:
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Antichrist Responses Likely What Von Trier Needed. Today in Film Bloggery 05/18/09

Christopher Campbell
By Christopher Campbell posted 6 months ago
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When Lars von Trier claimed to be suffering from depression two years ago, I assumed the illness was caused by his (then) most recent film, The Boss of it All. Not only did the office comedy fail to make as much noise as his prior features, but it actually earned a lot of favorable reviews. Some even called it (gasp!) enjoyable. For a guy used to polarizing critics with his often controversial and groundbreaking movies, that reception had to be tremendously dissatisfying.

But the filmmaker is back at Cannes this year, and I mean back. His latest movie, Antichrist, is apparently as audacious, shocking and misogynistic as everyone expects von Trier’s work to be. And even though it’s getting a lot of negative reviews, it’s still the talk of the festival this year. No wonder the filmmaker is looking so jolly in photos from Cannes; the attention, both good and bad, must be doing wonders for his mental health.

Nobody from Spout has seen Antichrist yet, unfortunately, but don’t doubt we’re trying. Desperately. And we know you’re looking forward to Karina’s take as much as The Brothers Bloom director Rian Johnson is. Today he Tweeted: “Waiting for @KarinaLongworth to see & review Antichrist the way a drunk man waits for a hint of blessed equilibrium.” She responded that she hopes to prove male reporters wrong in their belief that no woman will like it.

While we wait for her anticipated response, we’ll just have to settle on reading other reviews from around the blogosphere. I’ve highlighted some of my favorites, both positive and negative after the jump:

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10 More ’90s Indies to Franchise

Christopher Campbell
By Christopher Campbell posted 1 year ago
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Now that we know, courtesy of Stu at Defamer, that Werner Herzog’s remake of Abel Ferrara’s Bad Lieutenant is not so much a remake as it is like a new entry into a franchise, a la the James Bond movies, we at SpoutBlog wonder what other ’90s indie favorites could be continued with similar yet “completely different” installments.

I remember back in the day thinking that Clerks should be a franchise, each film focusing on a different crappy job experience, but now that Clerks II has come and gone, that idea will likely never be realized. Of course, the concept of sequels unrelated to the original aren’t new — just look at any sequel title substituting the number 2 (or II) with the word Too. But nevertheless, here’s a few suggestions for other crazy foreign auteurs to take into consideration:

  1. Kids - Looking back, Larry Clark’s then-shocking debut is pretty tame. Nowadays you see teens doing worse things on commercial television. So, how about someone makes another Kids movie every decade or so to expose us to the latest generation of teenagers and how appallingly different they are from the previous generation. It would be like Apted’s Up documentaries, except it wouldn’t follow the same people.
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