Why are so many people interested in Quentin Tarantino’s favorite movies? Maybe because he’s been so influential or maybe because he’s had so many influences? I’m not sure, but a big topic on the film blogs today is a top 20 list QT came up with for Sky Movies. It’s not his favorite films of all time, however. It’s just his faves since 1992, the year he broke big with his directorial debut, Reservoir Dogs.
The list is filled with a lot of obvious choices, including new Asian cinema classics like The Host, JSA, Audition and his very, very favorite of the past 17 years (the rest of the list is alphabetical), Battle Royale. Surprisingly Oldboy is nowhere to be found despite the fact that QT is responsible for the film’s surprising win at Cannes five years ago. He picked two by Bong Joon-ho, why not two by Park Chan-wook? Is it because that would be too much like self-praise?
The biggest shocker appears to be his inclusion of Woody Allen’s Anything Else, and that’s the main reason people are talking about the list today. I was more stunned, though, by QT’s claim that Supercop has the best stunts of any film ever, including those starring Buster Keaton. I guess I’ll have to see that one again.
Anyway, since QT is known for his borrowing from his influences, I’m excited to see when his movies start pilfering from the likes of Dogville and Shaun of the Dead, both of which would be in my top 20 of 1992-2009, as well.
Check out what other film blogs are saying about the list after the jump:
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I don’t smoke weed, but if I did, I’d spend today getting high and watching a marathon of movies that are (supposedly) better when you’re stoned. Why? Because it’s 4/20, the high holy day for marijuana fans. You’ve probably seen a billion of these lists, which recommend the same bunch of psychedelic classics beloved by stoners everywhere. So, instead of including such obvious choices as 2001: A Space Odyssey, Willy Wonka & the Chocolate Factory, and other familiar titles, I’ve picked some alternatives to the usual 4/20 favorites, because after awhile, the same old visuals just don’t do it for me — I mean, those sick, degenerate reefer addicts — anymore.
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Kevin Smith is having title trouble again. After previously dealing with censorship related to the title Zach and Miri Make a Porno, the filmmaker has run into a snag with his next movie, originally called A Couple of Dicks. Warner Bros. has changed the title of the comedy, which will star Bruce Willis and Tracey Morgan, to A Couple of Cops, obviously so as not to confuse anyone with the multiple (including the offensive) meanings of “dick.”
But this can’t be the end, because nobody in their right mind would distribute a movie with that new title. I’m pretty sure the word “cops” is poisonous. Has there been a single good movie with that word in the title since Buster Keaton’s 1922 short? Singularly, “cop” will occasionally work, such as in Beverly Hills Cop, Super Cop, Cop Land and Kindergarten Cop. But pluralized, I think the best we’ve seen is Cops and Robbersons. Recall that Hollywood Homicide was once titled “Two Cops,” which is quite like Smith’s movie’s name, but better. And maybe the original title cursed it, because the movie flopped. So, unless A Couple of Cops involves fumbling policemen resembling the Keystone Cops, it’s certain that the studio will need to brainstorm a new name quick, if it’s not already too late. Or, if Smith doesn’t really care about this movie, which he didn’t write and is seemingly only directing for the easy money, perhaps he can ultimately take his own name off and let it be an Alan Smithee film.
Here are some of the negative responses to the name change from around the web:
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Between the new Vanity Fair spread starring his comedy troupe (which includes his wife) and official word that he’s producing Ghostbusters 3, Judd Apatow is the talk of the Internet today. Eric D. Snider, in a new post at Cinematical that is apparently unrelated to either bits of news, even discusses Apatow’s potential status as this generation’s John Hughes. Considering some bloggers refer to the stars of the Vanity Fair feature as the “Frat Pack,” despite that term’s origins being with another set of actors (though Apatow’s pals do overlap and have been deemed “Junior Varsity” members), there may be weight to Snider’s claim.
Whatever Apatow’s group is called (Vanity Fair simply yet prematurely labels them “Comedy’s New Legends”), their leader is certainly ruling over a large part of Hollywood these days, enough that he’s sure to appropriate more than just the Frat Pack name before he’s done with his reign as King of Comedy. Now that he’s borrowed the talent of Adam Sandler (for this summer’s Funny People) and is about to take charge of even older SNL alum (for the next Ghostbusters flick), what could stop him from hiring Anthony Michael Hall or Shirley Maclaine in order to align himself with even the “Brat Pack” and “Rat Pack,” respectively?
We’ll just have to wait to see how much Apatow will ultimately conquer. So, for the time being, let’s take a look at what the blogosphere is saying about him and his crew today:
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Publisher Quirk Books and author Seth Grahame-Smith have come up with the best way to make a literary work more accessible since the creation of Classics Illustrated comic books: they’ve added “all-new scenes of bone crunching zombie action” to Jane Austen’s 19th century novel Pride and Prejudice. This new version, out in stores this May, is titled Pride and Prejudice and Zombies: The Classic Regency Romance – Now With Ultraviolent Mayhem! And if you didn’t think it was a masterpiece before, chances are you will now.
Could we do the same thing to classic films? Well, the technology to add extraneous enhancements to movies exists. Just check out The Curious Case of Benjamin Button for proof. But like Pride and Prejudice, we’d need to “enhance” films in the public domain if we wanted to get away with it. Fortunately, there are hundreds of such titles (see a list at Wikipedia), some of which actually already have zombies (Night of the Living Dead, White Zombie, Revolt of the Zombies, and in a way the “scientific” film Experiments in the Revival of Organisms).
Avoiding the majority of public domain movies already consisting of horror and science fiction elements, we’ve come up with ten great classic films that would be even greater with the addition of zombies.
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