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Jem Cohen Wants You To Fight The Man

Karina Longworth
By Karina Longworth posted 1 year ago
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cohen.jpgWe love it when two previously-blogged topics collide. According to Anthony Kaufman, filmmaker Jem Cohen (whose collaboration with Patti Smith I posted about here) sent out an email today asking friends and colleagues to join him in protesting proposed changes to New York City permit regulations for amateur photographers (which I wrote about previously here). As Cohen explains, the proposed changes (which would make permits necessary for any shoot involving more than two people and a hand-held camera that lasted over thirty minutes) would severely limit DIY photography and film/video making in the city:

The fact is that we simply CANNOT predict where, when, and how long we are going to film or photograph; we CANNOT afford expensive liability insurance policies; we occasionally NEED to work with other people or to use tripods to support our gear. (The regulations would, for example, effectively rule out a great deal of time-lapse photography which depends on tripods and cannot possibly be done with time limitations of 10 to 30 minutes, as well as the use of large format still cameras and long lenses).

One of Michael Bloomberg’s greatest successes as mayor has been his promotion of local film and television production. By offering some amazing tax incentives, the Bloomberg administration has re-established NYC as a feasible shooting location for indies. Kaufman says the proposed regulations would tarnish the city’s reputation as a haven for filmmakers pretty significantly. “If the New York Mayor’s Office of Film and TV really cares about New York as a vital indie filmmaking center,” he writes, “They need to stop putting in effect procedures that help Hollywood productions and cripple the low-budget mavens that once made this city the artistic capital of the world.”

If you want to join the protest, click through for the contact info on Anthony’s blog. The Mayor’s office is allegedly accepting feedback on this issue until August 3.

People at Denver: Allan King, first interview

By posted 2 years ago
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In the 1960s and 70s, Allan King was at the forefront of a new way of doing documentary using cinema verite. Up until that point, cinema verite hinged on a central question that needed to be answered by the film, but King decided that the real life drama was the story in and of itself. This was very clear (and very successful) in the 1969 film A Married Couple, which Paul and I watched last night. I went into the film thinking it would be very interesting on an academic level, so I wasn’t prepared to be moved so deeply by the drama between Bill and Antoinette unfolding on the screen. King and his crew filmed the couple in their home for 10 weeks, until they appear to have completely forgotten the camera was present. The demonstrations of what goes wrong–and right–in a marriage are powerful. After the screening, Paul and I were very privileged to talk to Mr. King about the process of making A Married Couple and his particular understanding of marriage since making the film.

Starz Denver Film Festival, spout.com podcast

 
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