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Films on Film at CineVegas

By Karina Longworth posted 4 months ago

Of the seven features I watched in full whilst at the 2009 CineVegas Film Festival, it seemed that the bravest endeavors, those that took the greatest stabs into the unknown both formally and conceptually, were actually shot on film. If this isn’t notable enough in a space increasingly dominated by digital photography (and, all too often, an aesthetic indifference that fails to push beyond the ease of use of the tools), the fact that films like Impolex, Modus Operandi and Redland are all the first features of men either barely or not quite the age of 30 is astounding. While other young filmmakers exploit ever-changing technology to shrink production budgets and experiment with non-theatrical models of distribution, Alex Ross Perry, Frankie Latina and Asiel Norton have made uncompromising films that defy contemporary technological trends and notions of financial convenience.

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CineVegas 2009, Featured, Festivals, Indies

NYFF: Sidney Lumet Joins The Death of Celluloid Brigade

By Karina Longworth posted 2 years ago

photo by Karina Longworth

Last year at a New York Film Festival press conference following the premiere of Inland Empire, David Lynch announced that he would never again go back to shooting on film. Yesterday, at the press conference following the New York Film Festival press screening of his HD-shot feature, Before the Devil Knows You’re Dead, veteran filmmaker Sidney Lumet made an almost identical declaration, predicting that celluloid will be all but obsolete in five years. “I don’t think there’s one director who has ever liked film,” Lumet said. “It’s a pain in the ass, it’s cumbersome, and it’s rigid in its rules.”

Check out the audio clip below for Lumet’s elaboration on the rise of HD, why he thinks “naturalistic photography” is an oxy moron, and anecdotes on the how the drawbacks of celluloid stifled both Dog Day Afternoon and John Schlesinger’s Midnight Cowboy (the female voice heard at the beginning and end of the clip is NYFF selection committee member/EW film critic Lisa Schwarzbaum, who moderated yesterday’s conversation). We’ll have more coverage of Lumet’s excellent Before the Devil Knows You’re Dead later today.