I’m not going to offer any argument in the debate over Roman Polanski, who was arrested in Zurich Saturday for a crime that’s older than I am (by 10 days). I’m just going to let this be a straight roundup of blog commentary related to the case, particularly to the divisiveness of support and anger sparked by the arrest and threat of extradition. It was enough that everyone had an opinion on the web yesterday concerning the topic, now it’s time for everyone to lash out against those who disagree with them, especially against the many film industry heavies who’ve signed a petition (and others rallied by the journal La Règle du jeu) asking for Polanski’s release.
Feel free to comment with your own arguments below, but only if you’ve seen the documentary Roman Polanski: Wanted and Desired. See the film even if you don’t wish to share your opinion, though, especially since there’s now a very good possibility we’ll be getting at least one sequel to the doc in the future.
Check out the film blog responses to the Polanski “culture war”* after the jump:
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The American Medical Association Alliance is unhappy with the appearance of a specific cigarette brand (American Spirit Lights) in He’s Just Not That Into You and is filing an official complaint to Warner Bros. and Time Warner over the issue. Brooks Barnes reports in today’s New York Times that the advocacy group doesn’t care that smoking is shown in a bad light in the romantic comedy (a character gets dumped for lying about quitting smoking, an offense seen as even worse than cheating); they think any acknowledgment of the act of smoking cigarettes — even if nobody is actually seen smoking onscreen, a la HJNTIY — could influence young people to start smoking.
The smoking in movies issue has brought about much debate regarding censorship in the last few years, but I say bring on the smoking ban. And then Hollywood can get creative with hints at smoking the way it used to use innuendo and other fun tricks to imply sex. The irony would be that in the past, cigarettes were used as such implicit hints (see Love is a Many-Splendored Thing; Chinatown and just about any Hays Code-era film). I also say that this AMA organization should be happy that Hollywood is at least promoting a healthier brand of cigs, such as the all-natural American Spirits. Last year’s underrated male fantasy rom-com Definitely, Maybe went so far as to devote an entire flirting scene to why people should smoke the longer-lasting American Spirits than other brands. Funny, I don’t recall any complaints from the AMA regarding that movie (though here’s an interesting complaint from the New Mexico Media Literacy Project, at least).
Although this complaint wasn’t the biggest film blog topic of the day (that might be whining about Leo DiCaprio’s Neverending Story remake), here are the few other responses I found around the net:
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The holidays are coming, and that either means spending time with your dysfunctional family or escaping them for the movies … where you’re likely to be met by other, fictional dysfunctional families. Already this season, Rachel Getting Married introduced us to the f’ed up faux masala of the Buchman clan, and later this month we get to follow Vince Vaughn and Reese Witherspoon as they’re pulled into their separate quadrants of kin in Four Christmases. Also, for those who think dysfunction is an American tradition, this weekend sees the release of the French film A Christmas Tale (Un conte de Noël), which unites the two major premises of dysfunctional family movies by being set during the holidays and involving an ill family member.
With two more weeks left until Thanksgiving, after which we might not want to think about another family, real or cinematic, for the rest of our lives, it’s a perfect time to celebrate those dysfunctional tribes we love the best. Literally thousands of movies feature such families, though, so we’re sure to have left out some of your favorites. Definitely chime in below, and/or join the discussion currently going on over in our Top 5 group.
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Two of this year’s Oscar winning films were sequels. And only two Oscar-nominated films are officially slated for sequels. But only one film fits both of these truths. The Bourne Ultimatum, which was a bit of an upset in its winning of three Academy Awards, including the shocker of Best Editing (which Christopher Rouse certainly deserved), will definitely be getting a follow-up, if this Variety article from Friday is correct (via Cinematical and Empire). The possibility of a fourth Bourne installment has been floating around for awhile now, despite the fact that Ultimatum so nicely tied up the series’ storyline and despite implications from Matt Damon and Paul Greengrass that continuing the franchise is unnecessary. But considering Ultimatum was a box office hit, and a critical favorite (it was one of the best mainstream films of the year) and has now won three Oscars, it seems like a no-brainer that Universal should want to keep Jason Bourne running.
The same can’t be said for that other Oscar-winning sequel, Elizabeth: The Golden Age. Although director Shekhar Kapur has said he wants Elizabeth to be a trilogy, it’s unlikely that the third film will be greenlit anytime soon. Of course, the plan is to revisit the story after another decade and things could well be different in ten years. Even if it weren’t likely to be a box office or critical success, it could be worth making just for the Oscar glory. I know that Alexandra Byrne wasn’t the first costume designer to receive Oscar nominations for work on two different films in the same series (Ngila Dickson and Richard Taylor were both nominated for two LOTR films), but if she suited Cate up again for a third film, she might be the first to have that honor of making it three. Meanwhile, Cate could also be the first actor or actress to be nominated three times for playing the same character.
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MTV has posted a fantastic interview with Jack Nicholson, in which he talks in depth about Chinatown, its sequel, The Two Jakes, and a planned third film that was to complete the trilogy, but, because of the poor reception to Jakes, never got made. An excerpt:
We always planned on making three films. We wanted it all to be tied into elemental things. Chinatown is obviously water. The Two Jakes is fire and energy. And the third film was meant to be about Gittes’ divorce and relate to air.
MTV: Was the third film in the Chinatown trilogy ever scripted?
Nicholson: No. I would imagine Robert [Towne] has some kind of outline. I can tell you it was meant to be set in 1968 when no-fault divorce went into effect in California. The title was to be Gittes vs. Gittes. It was to be about Gittes’ divorce. The secrecy of Meg Tilly’s character was somehow to involve the most private person in California, Howard Hughes. That is where the air element would have come into the picture.
Nicholson goes on to say that he “certainly would consider” making Gittes vs. Gittes if Paramount and Towne were to show interest. That and much more here. The interview’s a two-parter, which I usually find annoying, but Part One was good enough that I’ll happily be back for Part Two tomorrow.