I was hoping the Inception teaser trailer would keep the Christopher Nolan-obsessed fanboys puzzled and therefore occupied for a while. But someone had to go and spoil the premise of that otherwise cryptic film and now the geeks and gossip rags are back to their old favorite online game: spreading rumors about Batman 3.

British tabloid The Sun has made up a story claiming Megan Fox has “signed on” to play Catwoman, despite the fact that there’s no script to guarantee that such a role will even exist. But hey, Fox News has picked up the “news” so it must be true. Then there’s the Harry Knowles-ignited rumor about the third installment potentially being shot “FULLY” in IMAX.

Certainly speculating about big and highly anticipated movies is fun. Whether we discuss why Nolan shouldn’t even try to follow The Dark Knight or if we write a list of actresses we’d like to see cast as Catwoman, it’s important that we recognize that it’s all just wishes and wonders. And being able to tell the difference between a viable scoop and a rumor is what separates us respectable blogs from the unreputable people at British tabloids and, umm, Fox News (which, like The Sun, is owned by News Corp.).

The only silver lining is those websites that immediately nip such rumors in the butt and then proceed to make fun of the idea further through some kind of list or whatever. Especially when it’s a slow news day, such posts provide good reading.

Check out the film blog responses to today’s ridiculous rumors after the jump:
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Someone commented on my list of Avatar comparisons last week noting that such a practice could be done with any movie. He/She is correct, though it doesn’t really matter since the point of that exercise was to respond to the certain expectation that came with that film’s hype that it would be unlike anything we’ve seen before. With the teaser for Christopher Nolan’s Inception, however, the similar claims of derivation are simply a normal thing we film bloggers to do trailers, particularly those that give us little clue as to what their movie is about.

But deep in our hearts, we all trust Nolan, right? We don’t think he’d make a movie that people would say is just like The Matrix or Identity or Fight Club or Jurassic Park or whatever. Just like the illusionists in The Prestige and also like Batman, I guess, Nolan has a lot up his sleeve. The fact that nobody knows anything about the plot of Inception makes its trailer even more cryptic than it would seem otherwise to just the regular moviegoer who doesn’t follow script reviews and production developments. I wish I knew so little about Avatar — and about pretty much any upcoming movie, for that matter.

Check out what the film blogs are saying about the new Inception trailer after the jump.

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I would title this Bloggery “Comic-Con 2009 Day 2,” but I’m going to reach back a little to the second half of Day 1 since yesterday’s post went up before the Avatar panel, plus people are still talking about that New Moon presentation more than 24 hours later. Unfortunately, there’s so much news and hype coming out of the Con today (Gary Oldman spills Batman 3 beans! Saw VII is greenlit!) that I may ignore some the stuff I care less about, like all the “awesome!!” responses to movies that will more than likely be commercial failures (like the ten listed here). Unless they’re really hilarious or profound.

Without further ado (I have little to say in this intro because I’m not at the Con), check out my favorite coverage from San Diego from the last 24 hours after the jump:
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There will be sequels to both Star Trek and X-Men Origins: Wolverine. Not only are these now officially greenlit, but they’re also what we call “likely sequels” prior to their certainty — meaning we all saw them coming way before Paramount and Fox, respectively, announced them. However, it’s not necessarily a given that a successful movie will always spawn a follow-up. For example, box office record-holder Titanic could never become a franchise.

Of course, people will always joke about the possibilities for a Titanic sequel, and that kind of humor is what makes the Twitter meme #unlikelysequels so entertaining. Unfortunately, 140 characters allows for little more than a proposed sequel title (and yes, “Titanic 2: Jack’s Back” is among them), so we have decided to expand on ten favorites by providing the synopsis and, for some, casting suggestions.
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All comparisons between Dick Cheney and Darth Vader were rendered moot recently when George Lucas told Maureen Dowd, of The New York Times, “George Bush is Darth Vader. Cheney is the emperor.” In response to that clarification, David Edelstein wrote a piece in this week’s New York magazine in which he attempts to find another movie villain who Cheney resembles even more than any character in Star Wars. Ultimately, though, he settles on the former vice president being something of a villainous mutt: “Cheney is Palpatine with a soupçon of Sauron, a pinch of Voldemort, a dash of Mabuse, a jigger of Fu, with some Elmer Fudd and Richard Nixon folded in.”

That’s an interesting conclusion, but do we really need to soil our memories of these cinematic evildoers by likening Cheney to them, and worse, vice versa? It’s bad enough the guy has shown up in a lot of contemporary movies, both officially (W.) and unofficially. In Jim Jarmusch’s new film, The Limits of Control, which opens this week, a certain character is an obvious, albeit somewhat veiled, stand-in for Cheney. And at least seven other recent films similarly feature a character who is a dead-ringer for the old VP. We count them down, in order of most intentionally Cheney-like, below.
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Boyle. Fincher. Howard. Nolan. Van Sant. No alarms, no surprises. indieWIRE has the historical analysis that reminds us that last year, the DGA nominated Sean Penn for Into the Wild and the Academy swapped him out for Jason Reitman, but, you know … unless whatshername who was fired from Twilight makes a big surge super quick, it seems unlikely that anyone’s going to get an Oscar nomination this year for nabbing $100 million+ of teenage girl allowance. I’m gonna go out on a limb and say the Best Director Oscar nominations will probably look a lot like this.

The fanboys are so serious about The Dark Knight being the best film of 2008 that if the Academy snubs the comic-book adaptation for a Best Picture nomination, they’re liable to storm the Kodak Theatre on February 22 in protest. But why should anyone be worried that it won’t get the nomination? It wouldn’t be much of a coup for the year’s top-grossing blockbuster to be named one of the five Best Picture candidates. In fact, since the very first Academy Awards, the top award has often been handed out to films that were #1 at the box office in their respective year. And the last time it happened was as recent as 2003, with The Lord of the Rings: The Return of the King.

Thanks to popular and talented filmmakers like D.W. Griffith, Walt Disney, David Lean and Steven Spielberg, it’s hardly uncommon for films to make money and earn critical respect. But this isn’t an opportunity to spotlight overrated top-grossing Best Pictures like Titanic, Rain Man and Rocky, which were decidedly not their year’s best films. Rather, this is a chance to ease the minds of fanboys just in case The Dark Knight doesn’t get the nod. Some of these blockbusters were indeed nominated for Best Picture, and a few even won the award, but some of them were both their year’s biggest moneymaker (in the U.S.) and best film (from the U.S.) without gaining proper Academy recognition.

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Catherine Hardwicke hit one out of the park for female directors this past weekend, but she had a lot of help. Not only was she working with a pre-sold property, she also had a very manageable budget of $37 million. Quite different from the $2 million she had to work with on Thirteen a few years back. Of course, she had similar budgets on Lords of Dogtown ($25 million) and The Nativity Story ($35 million), and both were box office disappointments. Still, she’s going to keep on being trusted with more money — if Summit is smart they’ll keep her on for at least the first Twilight sequel, which will surely come with a higher price tag — and as long as she continues with genre films, she’s sure to remain a profitable director.

Not every talented filmmaker does well with more money. Danny Boyle, for instance, typically bombs with bigger budgets. And a lot of foreign auteurs strike out when handed costly studio-produced genre or franchise pics (Jeunet’s Alien Resurrection is a favorite example). But there’s the occasional filmmaker who, like Steven Soderbergh or Christopher Nolan, can make something worthwhile out of any budget they’re allotted. And then there are the many indie filmmakers who quickly find themselves at home with modestly priced broad comedies, such as the case with Seth Gordon easily transitioning from the Slamdance doc The King of Kong to the star-studded Hollywood holiday pic Four Christmases, out this week.

Who will be the next small-scale filmmaker to successfully rise up and prove him or herself worthy of bigger budgets? SpoutBlog has selected five directors we’d like to see given an economic boost, each because he or she would likely deliver something more interesting and popular than the usual Hollywood product.

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In May 2006, Legendary Pictures announced that they had acquired the rights from Blizzard Entertainment to make a World of Warcraft movie. There was the sound of enormous rejoicing from gamers around the world and then … a great silence. As if millions of voices suddenly cried out in joy and were suddenly silenced. Since then, the silence from Legendary and Blizzard has been fairly deafening. Two years later and still no news on the project. Apparently it’s still in development but they haven’t hired the “someone along the lines of a Zack Snyder, Christopher Nolan type” they wanted to direct the project.

With a planned release date of 2009 impossible to meet at this point, why not just scrap the whole thing? They could save themselves the embarrassment of spending over $100 million dollars on a movie that’ll end up tanking at the box office and become a pack-in freebie with the next expansion set. There’s a growing mountain of reasons not to make this movie; take a look at them after the break.

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Last week, Entertainment Weekly confirmed with Warner Bros. that the studio would be campaigning for a nomination for Heath Ledger specifically in the supporting actor category, putting to rest all the speculation and suggestions that he could contend for the Best Actor Oscar. Now all the awards pundits seem to agree that Ledger is a definite lock for a posthumous nomination. As for The Dark Knight’s hopes for other categories, though, it’s still up in the air as to how many nominations the comic book movie might garner.

While its predecessor, Batman Begins, only received one Oscar nomination, for Wally Pfister’s cinematography, there’s at least some likelihood that The Dark Knight could be recognized in as many as a dozen categories. That’s about as many as it’s legitimately eligible for, anyway, and in a year that keeps looking slimmer and slimmer in terms of Oscar-worthy pictures, there’s no reason to completely deny The Dark Knight’s full capability. Unfortunately, it’s a popular genre picture, so regardless of how critically acclaimed it is, and regardless of how the Academy has historically lauded similar titles, there will be a lot of doubt and debate concerning this movie’s prospects all the way up until January 22, when the nominations are announced.

Yesterday, John Foote of In Contention, commented on the increasing chances of The Dark Knight in such a lackluster Oscar season. In some ways, though, it’s not just about onetime Oscar hopefuls turning out to be hopeless; it’s also the constant problem of so much Oscar bait being held away from viewers and voters until the last possible second. Even those films that end up being fairly good can be disappointments after so much premature awards season hype. Sure, audiences have short attention spans and typically a film released midyear is easily forgotten by voting time, but a movie as memorable, as successful and as well-made as The Dark Knight can come out in the summer and easily be in the forefront of voters’ minds as an easy and deserving fallback. Therefore so many Oscar bloggers shouldn’t suddenly be surprised to see that The Dark Knight’s hopes for multiple Oscar nominations is “brightening” or “shaping up.” It’s always been a contender. Let’s break down its chances, category by category, after the jump:

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If John McCain doesn’t become the next President of the United States, perhaps he could take a completely different sort of gig, as The Penguin in the next Batman movie. Of course, there’s already a worthy candidate for that role, too, but if Philip Seymour Hoffman doesn’t want the job, Christopher Nolan should give it to the senator. That is, if Nolan actually decides to include the villain in his next installment, and so far it hasn’t seemed likely that he would.

The idea of McCain as The Penguin sparked from a campaign speech the presidential candidate gave last Friday in which he inadvertently channeled Burgess Meredith while congratulating his running mate, Sarah Palin, on her performance at the VP debate the night before. Since then, YouTubers galore have sampled the speech, whether using the audio to redub a scene from Batman Returns, as you can see in today’s Clip (and here), or intercutting the audio and video with footage from Meredith’s portrayal of The Penguin on the old Batman TV show, or simply drawing in the necessary accessories and props to make McCain look like Meredith’s Penguin.

The whole trend may have actually begun with a little joke on The Young Turks talk show. But how about it? Ehh? Throughout the Town Hall debate last night, while watching McCain waddle around that stage, I couldn’t get the Penguin thing out of my mind. He’s perfect for the part. Ehh?

We never trust the British tabloids. Ever. But sometimes we wish we could. Like when they tell us that Cher is going to play Catwoman in Christopher Nolan’s follow-up to The Dark Knight.  From the Telegraph:

A studio executive said: “Cher is Nolan’s first choice to play Catwoman. He wants to her to portray her like a vamp in her twilight years.

I don’t buy it. It would be awesome, but I don’t buy it.

This article is filled with sour notes about the state of Batman video games, but if you want some pure audio delight, click here to listen to Frank Gorshin (he played The Riddler on the Adam West Batman TV show) sing “The Riddler.” Awesome.

Batman is known for vanishing into the night in order to instill fear into his foes, and to confound Commissioner Gordon who always wonders how he disappears so quickly. However, his video games are also known for leaving store shelves just as quickly and quietly. Is that why there’s no Dark Knight video game? Commission Gordon himself, looking a bit like Garth from Wayne’s World, was shown a tiny bit of the game, as you can see in this clip… so where is it?

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As many reviews have already made clear, The Dark Knight sets the new gold standard for comic book movies. I think a big reason for that lies in the casting of a new heroine for Batman, Gotham City. Dark Knight evokes adjectives like epic and edgy. It feels like something is really at stake, but what? Writer/director Christopher Nolan crafts a handful of brilliant characters, but the one we’re really gunning for is Gotham City herself.

While it’s easy to say Gotham City is an allegory for society as a whole, in The Dark Knight Nolan intentionally paints a unique urban environment. The film opens with stunning aerial shots of Gotham City (played beautifully by Chicago). A lot has been said about Nolan’s choice to shoot certain scenes of the film in IMAX, and it’s no coincidence that nearly all of them fill the frame with an urban landscape. There is something truly breathtaking about seeing Batman leap from the roof a building and spread his wing-like cape in IMAX, but what’s equally important is what’s below him: an endless grid of streets, buildings, and people.

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