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Sundance 2009 TRECE ANOS Director Topaz Adizes: The Media Diet

Brandon Harris
By Brandon Harris posted 9 months ago
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A prolific director of intimate, vitrolic, globally minded narrative shorts, Topaz Adizes got a taste of star studded Hollywood productions, having worked on Ridley Scott’s Kingdom of Heaven and Paul Thomas Anderson’s There Will Be Blood, before embarking on a terrific run of directorial efforts, including City (2006) and Letting Go (2008). Currently at work on his first feature, a globe trotting multi-strand piece titled Americana, he’s at Sundance this year with a short initially envisioned as a passage in that longer film, Trece anos, which can be seen above. We discuss the usual after the jump. …Read more

The Dark Knight: Love Letter to the City

Kevin Buist
By Kevin Buist posted 1 year ago
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As many reviews have already made clear, The Dark Knight sets the new gold standard for comic book movies. I think a big reason for that lies in the casting of a new heroine for Batman, Gotham City. Dark Knight evokes adjectives like epic and edgy. It feels like something is really at stake, but what? Writer/director Christopher Nolan crafts a handful of brilliant characters, but the one we’re really gunning for is Gotham City herself.

While it’s easy to say Gotham City is an allegory for society as a whole, in The Dark Knight Nolan intentionally paints a unique urban environment. The film opens with stunning aerial shots of Gotham City (played beautifully by Chicago). A lot has been said about Nolan’s choice to shoot certain scenes of the film in IMAX, and it’s no coincidence that nearly all of them fill the frame with an urban landscape. There is something truly breathtaking about seeing Batman leap from the roof a building and spread his wing-like cape in IMAX, but what’s equally important is what’s below him: an endless grid of streets, buildings, and people.

…Read more