Is the soul an organ? The new film Cold Souls somewhat treats it at such, to the point of giving it a physical manifestation. The soul of “Paul Giamatti” (played by Paul Giamatti), for instance, resembles a chickpea. And in the film, a great Charlie Kaufman-esque comedy from filmmaker Sophia Barthes, souls are traded, trafficked and stolen, just like kidneys and livers. After Paul puts his soul in storage, it’s nabbed and brought to Russia for the benefit of a young actress who thinks the essence of a famous American actor will improve her craft.
The lesson here is that you shouldn’t store your soul, no matter how much of a burden it may be, particularly if you’re a celebrity or of a profession where your soul might be in high demand on the black market. The movies have long informed us of other ways we might lose an organ, intentionally or not, so if you wish to keep all your insides inside, take heed of the following five methods:
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Set in alternate-universe present day versions of frozen-over Russia and the Manhattan theatrical intelligensia (the latter resembling something Charlie Kaufman might have come up with, minus the self-deprecating suspicion of success that leads him to mock the careerist stars of Needleman in a Haystack), Sophie Barthes‘ very strong first feature Cold Souls stars Paul Giamatti as an actor named Paul Giamatti, a movie star struggling to get into the character of Uncle Vanya on the stage. His agent points him to an article in the New Yorker about an extraction and cold storage facility for souls on Roosevelt Island. At the end of his rope, Paul goes through the procedure, but find that soulless, his performance is even worse — imagine Vanya as interpreted by a handsy William Shatner. It’s when Giamatti attempts to get back his original soul (shaped, in one of the film’s best running jokes, like a chick pea) that he discovers that the pristine New York clinic where he had the procedure is a front for a roiling Russian soul black market, and with the help of an attractive female soul mule (Dina Korzun), embarks on a journey to St. Petersberg.
In an interview at the Sundance Film Festival last week, Barthes discussed reading Jung, dreaming about Woody Allen, and why she hopes Putin doesn’t read film blogs.
So why would Paul Giamatti’s soul look like a chickpea?
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The Sundance Film Festival had it’s first major deal go down Saturday night as young distributor Senator Entertainment (in a co-venture with Sony Pictures Worldwide) picked up North American rights to Antoine Fuqua’s admittedly unfinished Brooklyn’s Finest for a price tag of less than $5 million (with a marketing commitment of $10 million).
Other acquisitions made just before and since the festival began include the following:
All these pickups have been added to SpoutBlog’s Sundance Deals chart, which will continue to be updated throughout the festival. So remember to keep checking back and bookmark the post if you haven’t yet.
Here’s our running tally of each of the distribution deals announced just before, throughout the course of, and just after the 2009 Sundance Film Festival. We will update this post whenever new information comes in, so bookmark it and keep checking back for the newest latest.
