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Tribeca Notes: Con Artist

Tribeca Notes: Con Artist

Karina Longworth
By Karina Longworth posted 6 months ago
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If you hadn’t seen Con ArtistMichael Sladek’s “docu-comedy” on 80s art star Mark Kostabi, but walked blindly into the theater in the middle of the film’s Q & A last Tuesday, you’d have a fair sense of the dynamic between filmmaker and subject. When asked to account for the film’s playful, comic tone, Sladek said, “I had no intention to make a serious film about the art world. I had no intention to make a documentary, frankly.” At this point, Kostabi, standing next to Sladek, turned his side to the crowd to whisper conspiratorially, apparently offering directions to the director. Sladek did his best to ignore them. “I prefer to make narratives, because I can control them.”

Sladek entered Kostabi’s world (and Kostabi World - the studio where dozens of assistants have for years conceived and executed Kostabi’s paintings, which are not quite synonymous with his art) years after his 80s heyday and 90s reversal of fortune. With steady income flowing in from sales of his art artifacts on the Italian auction circuit, by the mid-00s Kostabi refashioned his performative assault on the art market into a cable access and web-distributed game show called Title This (which I wrote about in 2007, accidentally angering its fans with my use of the word “himbo”). Con Artist mostly offers evidence that Kostabi has devolved into a sad joke in the context of the art world, but sad jokes are all the rage online and on low-rent TV. In positing Title This as Kostabi’s barely-noticed comeback gambit, it reveals the show’s birlliance as a kind of natural evolution of Kostabi’s schtick for the proverbial Internet Age. In paying art world figures, including critics, to title his paintings, Kostabi outsources the labor of meaning-making to those who’d do it after the fact anyway, and updates his performance of total detachment into a DIY episodic spectacle in the process.

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Tribeca Film Festival 2009 Competition Lineup

Tribeca Film Festival 2009 Competition Lineup

Karina Longworth
By Karina Longworth posted 8 months ago
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The Discovery, Narrative and Documentary competition lineups for the 2009 Tribeca Film Festival have been announced, and as indieWIRE reports, it’s going to be a much smaller festival this year. This would seem like good news: last year, Tribeca was streamlined down to 100-something features, and as I noted in my festival recap, the quality of the programming hardly suffered. Here are some of the films that, on first scan of the lineup, I’m excited to see:

  • About Elly — This Iranian drama won the Silver Bear at last month’s Berlinale, and amongst its more controversial competition, Elly was a critical favorite. Likening it to an Iranian L’Avventura, Kevin Lee noted at The Auteurs Notebook that “the film suggests a post-Kiarostami Iranian cinema capable of achieving much within a mainstream idiom.”
  • The Exploding Girl — Another Berlin premiere, this narrative directed by Bradley Rust Gray (husband of Treeless Mountain creator So Yong Kim) stars Zoe Kazan as a “Cherubic college student” whose “relationship with her boyfriend slowly disintegrates via cell phone.”
  • Outrage — the latest doc from Oscar nominee Kirby Dick is said to offer “a searing indictment of the hypocrisy of closeted politicians who actively campaign against the LGBT community they covertly belong to.”
  • Con Artist — I’d ordinarily be wary of anything described as a “punk-fueled docu-comedy,” but Tribeca has an excellent track record when it comes to art docs, so I’ll give this nonfiction portrait of Mark Kostabi a shot.
  • Guy and Madeline on a Park Bench — I’ve heard a few good words on the street about Damien Chazelle’s debut feature, described as a “black-and-white, verite-style relationship drama with all that jazzy romance of an old-Hollywood musical.”
  • P-Star Rising – Director Gabriel Noble spent four years following hip hop producer/ex-con Jesse Diaz and his young daughter Priscilla, an aspiring rapper who also goes by the name P-Star.