Movie news on your iPhone today!
Advertisement
Coverage of what is truly interesting in the film world

TOP STORY:

Werner Herzog’s Diaries Excerpted Online

Karina Longworth
By Karina Longworth posted 5 months ago
  • del.icio.us
  • Technorati
  • Reddit
  • Ma.gnolia
  • YahooMyWeb
  • Facebook
  • StumbleUpon

In Coppola’s house on Broadway. Outside the wind is howling, whipping the laurel bushes. The sailboats in the bay are lying almost flat, the waves sharp-contoured and restless. The Alcatraz Light is flashing signals, in broad daylight. None of my friends is here. It is hard to buckle down to work, to shoulder this heavy burden of dreams. Only books provide some measure of comfort.

The NYTimes.com has published an excerpt of Werner Herzog’s Conquest of the Useless, his diary of the making of Fitzcarraldo.

Werner Herzog Writes The Book

Karina Longworth
By Karina Longworth posted 9 months ago
  • del.icio.us
  • Technorati
  • Reddit
  • Ma.gnolia
  • YahooMyWeb
  • Facebook
  • StumbleUpon


ATWT: Let me ask you about this book you have coming out, “The Conquest of the Useless”.

WH: Ah yes, that’s a book, a prose book that’s going to be released in the summer by Harper Collins. The translation is just finished and I’m working on the translation, I’m doing some corrections and modifications. But it’s good that you mention it, because this book is certainly better than all of my films together.

ATWT: Really? Why do you say?

WH: When it’s out, read it and you will know.

In an interview with AJ Schnack, Werner Herzog discusses his upcoming book, Conquest of the Useless, which will be released on June 30. According to Amazon, its subtitle is Reflections on the Making of Fitzcarraldo, which would suggest that it’s an English translation/update of a version of Herzog’s diaries from the making of that film which was already published in Italy.

“Conquistadors of the useless” is a pet phrase of Herzog’s, popping up in Herzog and Herzog in reference to his determination to actually move the boat over the mountain in the making of Fitzcarraldo, rather than fake it or take it apart and move it in pieces. The phrase most recently appeared in print when he used it to describe “[most] everyone who climbs a steep cliff and climbs a building made of steel and glass,” when two men tried to coincidentally tried to scale the New York Times building the same day Herzog appeared there in coversation with Jonathan Demme.