If you can imagine Mike Leigh directing an In the Loop-esque deadpan comedy embedded within a British version of The Sopranos, in which Tony is an embittered ex-hippie in passive-aggressive conflict with his pot-dulled but surprisingly ruthless adult son, then you might be able to wrap your head around Down Terrace, which won the juried Best Picture and Best Screenplay prizes in the Next Wave competition at Fantastic Fest on Monday.

At the start of the film, 30-something Karl (Robin Hill, who also co-wrote with director Ben Weatley) and his father Bill (Robert Hill) get out of jail and set to work finding out who ratted them out to the police so they can seek revenge. That logline implies that Down Terrace is a lot more action-packed than it is; in fact, most of the film features father and son sitting around the house, drinking and smoking, idly bickering, jamming on their guitars, and waiting for the two or three associates who they suspect may have had something to do with it to drop in for a drink. If these guys were ever truly on-the-ball criminals (Bill makes it hard to give them the benefit of the doubt when he starts name dropping Timothy Leary), lethargy has set in. Karl seems particularly resentful of his role in the family business. A typical lament: “I was thinking I should avenge his death but — is this bad? — I just don’t want to.”

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