Details, both truthful and speculative, on the death of David Carradine are still making their way onto and around the Internet, so there’s no point in us commenting on or relaying certain information regarding the tragedy. But with the actor gone, we can and shall concentrate on his legacy, which is really the most important thing to focus on anyway.
For most of my generation, Carradine is primarily known for being significant to the work of Quentin Tarantino, whether in the reference to the TV series Kung Fu in Pulp Fiction or in the Golden Globe-nominated performance from the actor in the titular role of Kill Bill. But there is so much more that Carradine has left us with, so let’s see what the blogosphere has to say in tribute to his memory and career:
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We don’t ask much from science fiction movies: entertaining plot lines, competent acting, huge explosions, and accurate predictions of the future. Many films fail to deliver on that final request, prognosticating about the world to come and screwing it up again and again. Many of these movies rely on the believability of their premise, but when that premise involves a prediction about the state of the world at a specific future date, they’re setting themselves up for failure when that day comes to pass without incident. Here are five films that forecasted doom and gloom that did not happen.
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Some movies are violent, some are disturbing, and others are just plain wrong. Paul W. S. Anderson’s Death Race is a fun ride with some gnarly crashes, but it can’t hold a candle to its demented predecessor, Roger Corman’s Death Race 2000 (1975).
Cinema’s favorite weirdo, Cripsin Glover, is taking his film across the country, personally hosting a series of screenings. The film, What Is It?, is dense and provocative filmmaking, but not necessarily in a good way. Glover describes his opus as a critique of corporate-controlled studios’ fear of taboo. It’s either that, or just a whole lot of snails being killed, mixed with porn, mixed with possibly exploitative uses of actors with downs-syndrome.
For a more upbeat take on the absurd, we take a look and some the fun being had in Spout’s Movie Games group. Specifically, what happens when scenes from our favorite movies are digitally translated to another language, then back into English. The result: surreal hilarity. Our dramatic reading proves that The Big Lebowski could have been a whole lot weirder.
(Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store or to our RSS feed and an episode will download each Friday)
0:00 - Intro
3:05 - Death Race, then and now
16:30 - Crispin Glover’s What Is It?
31:29 - Fun with online translators, Big Lebowski style
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The casts and crews of The Mummy: Brendan Fraser Must Do Huge Business Internationally and Death Race show off their wares. Yay, unnecessary sequels and remakes! (Yes, Karina wrote this intro.)
Highlights:
–Sam Raimi says another Evil Dead movie is “in the wheelhouse.” If you’re not familiar with it, that expression means “being very close to accomplishing a goal.”
–Two surprise clips of Drag Me To Hell were shown; one was good/funny, the other awful.
–Sid and Marty Krofft say H.R. Puffnstuf will be turned into a movie after Land of the Lost, and “Sigmund and the Sea Monsters after that.”
–Brendan Fraser is apparently perennially hopped up on over-the-counter cold medicine.
–Joan Allen swears a lot in Death Race.
Full live blog after the jump!
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