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SXSW 2008: Glory At Sea

By David Lowery posted 5 months ago
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I’ve long been of the opinion that films should not be defined by their running time. Terms like ’short’ and ‘feature’ are handy for categorical purposes but have otherwise become unfairly exclusive, creating betwixt them a no-man’s land in which few filmmakers dare tread. I’ve heard enticing rumors of a theater in Paris that showcases films between forty five and sixty minutes and length, and I always admire those filmmakers that go against the advice of festival programmers who suggest that unless a short film is really, really great it shouldn’t run much longer than 10 minutes - just as I admire the programmers who select the 25 and 30 minute shorts that are, indeed, really really great, just like the 5 minute shorts they might be screening alongside of. It’s quality, not quantity, and I don’t care about the latter when there’s an abundance of the former. Suffice to say, I really love short form filmmaking, and I always make it a point at festivals to catch all of the short programs. I’ll be covering some of my favorite short selections from this year’s 2008 SXSW Film Festival in an upcoming article, but there was one film in particular that I felt warranted its own review.

If you were at SXSW this past week, you may have heard rumors about Glory At Sea, whose production and premiere both are almost as epic as the film itself. Directed by Ben Zeitlin and produced by the same folks behind last year’s festival favorite Death To Tinman, the film is a fable of such exorbitantly epic proportions that it could only be described as Herzogian. “Fitzcarraldo!” shouted one audience member, apparently too bowled over by the film to express himself in the form of a question, during the post-screening Q&A. Given that the film took six months to shoot (many of those spent out on open water), its Sisyphean qualities correlate quite well with Herzog’s effort. At the same time, Zeitlin’s vision seems quite a few degrees more ambitious - and even moreso removed from reality - than anything Brian Sweeney Fitzgerald might have dreamed up.

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