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Jeff Lipsky Tells Young Filmmakers, Critics to “suck it”

Karina Longworth
By Karina Longworth posted 9 months ago
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6. I predict the death of mumblecore movies by 2011. Independent films will once again boast strong scripts and, as such, will reach a broader audience. This is probably as good a time as any to reiterate to critics who invoke the name of John Cassavetes in their reviews of so-called mumblecore fare: John’s only improvised film was Shadows. Suck it.

Indie film distribution stalwart-turned-director Jeff Lipsky has written a two-part, ten item list of reasons he’s “bullish on the state of indie” film for Ted Hope’s blog Truly Free Film. There’s no denying that Lipsky has seniority in this realm, even if the introduction to the piece, presumably written by Hope, strains credibility by refering toLipsky’s recent Sundance premiere Once More With Feeling as a “hit” (John Anderson’s declaration that the film “would be a natural for cable, if the execution weren’t so distractingly strange” was one of the kinder notices). But much of Lipsky’s numbered so-called optimism comes off as cranky old man-ism.

Whether he’s celebrating setbacks in digital projection via questionable cause-and-effect logic (”Fewer digital screens…will mean fewer bad digital movies”), dismissing “download, PPV, and VOD numbers” as “paltry” without offering examples or comparisons, or making broad generalizations about the production methods of emerging filmmakers, as in the quote above (we’ll presume critics of Andrew Bujalski, Barry Jenkins, and any other “mumblecore”-associated writer/director who works off a screenplay are excused from “sucking it”), the whole post is anti new-technology, anti-experimentation, pro-traditionalism. It’s as if Lipsky’s ultimate reason to be bullish is something along the lines of, “all this shit you crazy kids keep throwing at the wall ain’t sticking, and that makes me feel good personally.”


Twilight Breaks Record for Female Director. Trade Roughage 11/24/08

Christopher Campbell
By Christopher Campbell posted 1 year ago
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  • Of all the news related to Twilight’s unsurprising $70.6 million opening, the most important has to be that Catherine Hardwicke (pictured) now holds the record for highest-grossing debut for a female director. The previous record holder was Mimi Leder, whose Deep Impact bowed with $41.2 million a decade ago. And the most important non-Twilight box office news has to be that Slumdog Millionaire continued to have a per-screen average in the $30,000s, even with a minor increase to 32 screens, and reached a very impressive very-limited-release gross of $1.6 million.
  • Last Friday, Twilight costar Anna Kendrick was announced as the female lead opposite George Clooney in Jason Reitman’s Up in the Air. But the 23-year-old will not be Clooney’s love interest. That honor has instead gone to 35-year-old Vera Farmiga.
  • French filmmaker Pascal Laugier is coming to Hollywood to direct a couple American horror pics, including a Hellraiser remake for Dimension and a short story adaptation titled Details for Paramount Vantage. Both films will likely pale in quality to his French productions, but every foreign auteur has to try tinseltown at least once, right?
  • Film print fans rejoice! Digital projection is being blamed for and may suffer from the faulty screening of The Curious Case of Benjamin Button at LA’s DGA Theatre last Thursday. Apparently similar problems have affected recent screenings of Che and Quantum of Solace, too.

Paramount in Threesome with Marvel and Dell. Trade Roughage 09/30/08

Christopher Campbell
By Christopher Campbell posted 1 year ago
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  • Paramount will continue to distribute films produced by Marvel Studios, including 2010’s Thor, which Kenneth Branagh is now confirmed to be directing. The deal was expected, especially after Paramount’s handling of Iron Man. Also in the news: that film’s first sequel has been pushed back a week from April 30, 2010 to May 7, 2010. Iron Man 3 is also being planned, but hasn’t yet been given a planned release date.
  • Meanwhile, Paramount and Dell have teamed up to offer Iron Man preloaded into newly purchased computers. For $20, the Iron Man add-on will include exclusive bonus footage. I can’t wait to see if there’s an “I’m a Marvel, I’m a DC” video related to this.
  • Now that digital and 3-D projection systems are finally to receive an increase in numbers (see yesterday’s TR), short-attention Hollywood is already thinking about another moviegoing incentive: large-format projection. Thanks to the success of the Imax sequences in The Dark Knight, more and more filmmakers are shooting Imax segments for upcoming blockbusters, including Transformers 2, Iron Man 2 and Y: The Last Man. Hopefully this new trend will encourage someone to build a second Imax theatre for NYC. One screen per 20 million people is not cutting it.
  • Very appropriate casting: actress Danielle Panabaker (Sky High), who graduated from high school and was valedictorian at age 14, and who got her bachelor’s at 19, will be the female lead in Prodigy, a sci-fi film about a prep school that creates geniuses through questionable means.

Red Band Trailers at Regal: Trade Roughage 03/17/08

Karina Longworth
By Karina Longworth posted 1 year ago
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  • In yet another sign that the digital revolution will be good for smut and violence, the largest theater chain in the States, Regal Entertainment Group, has announced that they’ll allow “red band” trailers, featuring uncensored glimpses of R-rated films, to screen in front of films already designated for adult audiences. Regal’s senior VP of marketing says digital projection will allow the chain to exercise greater control in tailoring pre-show content to specific films, thus reducing the risk that a trailer meant for Hostel 7 will play in front of Horton Hears a Who.
  • Speaking of: the Jim Carrey-voiced Horton made $45 million at the box office this weekend, while both Snow Angels and Paranoid Park continued to do well in limited release.
  • Scott Rudin and Miramax have acquired the rights to Richard Price’s recently released, heavily-buzzed novel Lush Life, a noir set in the new-money Lower East Side. Price, a writer for The Wire, will write the adaptation himself; he previously scripted Rudin’s remake of Shaft.
  • Jeon Soo-il’s With a Girl of Black Soil won the top prize at the Deauville Film Festival over the weekend.