This is the first in what will be a series of posts examining the artistic life cycles of Oscar winners who failed to find continued mainstream success after taking home the statuette. If you have suggestions for stars or filmmakers that you’d like to see profiled, let us know in the comments.

Roberto Benigni swang from general obscurity in the United States to media darling following his Academy Award for Life Is Beautiful. But what’s happened to him since? He was only the second filmmaker since Sir Laurence Olivier to direct himself in an Oscar-winning performance. That’s a long way to go for someone who had only been seen here in Blake Edwards’ terrible Son of the Pink Panther and as a sex-obsessed cabbie in Jim Jarmusch’s Night on Earth. While we love the underdog success story, we also love the fall from grace, and we’re in search of the crater that Benigni must have left somewhere.

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Kiyoshi Kurosawa (no relation to Akira) has mostly been known for Japanese horror films Cure, Pulse, and Doppelganger, but with his last few movies he’s been moving more into the dramatic. Tokyo Sonata explores a Japanese household, led by a father who is laid off from his job and is too embarrassed to tell his family. He leaves home every day, but instead of going to work he visits parks and libraries until it is time to return. Meanwhile, his rebellious older son wants to leave Japan and go to the United States to join the military, and his youngest son is secretly taking piano lessons, which he has been forbidden to do. It’s a stark look inside the family culture in Japan, and the rift between generations. We sat down to ask Kurosawa about the film, and learned that he’s pretty definitively left the genre with which he’s most associated behind. More after the jump.

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The one face that has been prevalent all over Fantastic Fest for the past week, even more so than Alamo Drafthouse founder Tim League, has been Spanish director Nacho Vigalondo. His movie Timecrimes premiered to U.S. audiences here last year, and was snapped up by Magnolia; there’s now an Americanized version in the works. He’s been at pretty much every single screening, every event, and in every condition: tired, wired, drunk, sober, sleepy, awake.

He doesn’t have a feature film at the festival this year, but he did come with about 90 minutes worth of his short films, and those played as a single screening full of Nacho’s wacky blend of British and Spanish humor. Check out the full interview with him below, where you can also watch several of his shorts.

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Jonathan Demme has had an extremely successful career ever since directing Caged Heat in 1974. He won the Oscar for Best Director in 1992 with Silence of the Lambs, and helped Tom Hanks act his way to a Best Actor Oscar for Philadelphia. He’s also directed things as varied as a Saturday Night Live episode in 1980, the Talking Heads documentary Stop Making Sense, and Neil Young: Heart of Gold, with a new Young movie on the way in next year’s Trunk Show.

Rachel Getting Married represents another big change for him, as the film was shot completely handheld, features a lot of improvised dialogue, and uses ambient music from musicians actually on the set. It’s about as close to a Dogma film as you can get these days. We sat down with Jonathan in Toronto, and read on to find out what inspirations he drew on for this film, why he wanted to cast director Paul Thomas Anderson as the male lead, and how he came to work with Anne Hathaway.

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Spout’s Paul Moore loved Bent Hamer’s newest film O’Horten at the Telluride Film Festival, and I got a chance to sit down with him in Toronto where his film was also playing. Besides having a name made for a heavy metal guitarslinger, Hamer is already a very accomplished director, having previously directed movies like Eggs, Kitchen Stories, and Factotum, and O’Horten is his fifth film to come to play in States.

Besides being a director, Hamer is also a writer, producer, and owner and founder of the BulBul Film Association in his native Norway. Read on to find out what inspired the film and why he feels like he’s still riding along with Odd Horten even today, or you can listen to the audio of the interview right here.

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It’s been just over a year since Danny Boyle’s sci fi film Sunshine came out, and it would be hard to imagine a more different film than Slumdog Millionaire, which has just premiered at both the Telluride and Toronto film festivals (and won the People’s Choice award at the latter). It’s an extremely touching love story set amidst the slums of Mumbai, and uses the Indian version of “Who Wants To Be A Millionaire” as a catalytic backdrop.

Boyle definitely continues to mature as a filmmaker, and has somehow learned to be an excellent director of children––the performances he gets out of the young kids in both this movie and Millions are astounding. Despite his punk-rock roots, he claims to have gotten in touch with his innner hippy while shooting Slumdog in India. Read on to find out all about it, and why he might be driving a cab around London.

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So we went a little nuts at the Denver Film Festival–just shy of 50 podcasts went up on SpoutBlog and the Denver sitelet. But unless you’re really bored this Thanksgiving weekend, we realize you won’t have time to sit down and listen to them one by one. We thought we would help out by highlighting a handful of our favorites. Like all greatest hits albums, it’s not going to provide the full experience, but it at least gives you a good sense for what was going on in Denver. Listen in…

- Academy Award-winning director Anthony Minghella talking about his newest film, Breaking and Entering.

- Angie Avarez discussing her mockumentary about high school teachers, Chalk.

- Brothers and ultimate collaborators Aaron and Adam Nee talking about their film The Last Romantic.

- Filmmaker David Gow and the two impressive male leads in Steel Toes.

- Sister team Amy and Andrea Doe talking about making Saucy Flyer UFO P.I..

- Filmmaker Matthew Porterfield discussing being a kindergarten teacher and how he made his documentary Hamilton.

- Samira Goetschel and her controversial film Our Own Private Bin Laden.

- The November 15 Roundtable Recap with Bill, Kevin and Dave, talking about nine or so films they had just watched.

- The unexpected interview with Will Ferrell and his wife Viveca Paulin, focusing on Paulin’s work on the film Nail Polish.

- Richard Berge and his documentary The Rape of Europa, which explores the plunder of Europe’s art treasures during WWII.

- Our first conversation with Canadian cinema verite treasure Allan King.

- One amazing question and one amazing answer from Tim Robbins.

- The November 17 Roundtable Recap with Dave, Paul, Kristin and Kevin, who shares a great story about the Tim Robbins event.

- Another great director with an impressive list of films, Michael Apted, discussing the inspirational aspects of his new historical film Amazing Grace.

I went to Friday evening’s Red Carpet event to talk to British director Michael Apted about his new film, the historical drama Amazing Grace. Although Apted’s name might not be familiar to everyone, many of his films are, including Coal Miner’s Daughter, Nell, Gorillas in the Mist, and Blink.

His newest film, which was screened at the festival last night, tells the true story of one man’s long, hard efforts to abolish slavery and the slave trade in late 1700s Britain. Before the film, Apted talked to me about what drew him to this story, the important ways the film speaks to world issues today, and how The Up Seriesis especially close to his heart.

Starz Denver Film Festival, spout.com podcast