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The New New Line: Trade Roughage 03/13/08

Karina Longworth
By Karina Longworth posted 1 year ago
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  • Bob Iger says Disney’s Hong Kong thene park had a rough second year because his researchers drastically under-estimated how long it takes to eat lunch. “There were longer lines to eat than to ride Space Mountain.” Oh, and iTunes makes money.
  • Warner Brothers is trying to coax New Line’s Toby Emmerich to take a newly-created position as head of the pared-down, independent studio. WB wants to refashion New Line into a boutique producing half a dozen films a year at no more than than $50 million each. Variety says this could throw a wrench into a few proposed New Line projects, including (obviously) The Hobitt, and (not so obviously) a sequel to Wedding Crashers. Adjust that 2005 film’s budget for inflation and you’re up to just over $43 million; are we to assume that the remaining seven million is to spent on keeping both Fred Claus and Drillbit Taylor on retainer?
  • The Hollywood Film Festival is adding the Hollywood Trailer Awards to their October slate of festivities.  Yeah, I know–I spend a week in Texas, and this is all I can come up with on my return? Blame the cold I picked up somewhere on the journey home. Or, hell––just blame Variety.

Kurt Cobain: The Ride: The Movie

Karina Longworth
By Karina Longworth posted 1 year ago
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fleaandkurtcobain_855_18324829_0_0_15358_300.jpgThere are a lot of eyebrow-raising moments in this interview with Chicago 10 director Brett Morgan, in which he announces that his next project will be a Courtney Love-approved documentary about Kurt Cobain. Some of it is cringe-worthy, some of it is intriguing, most of it is somewhat WTF? On the good side, it sounds like the film will incorporate some material we haven’t seen before:

…we’ll have the music of course but [also] his home movies. He did stop action animation, which I don’t know if anyone’s ever seen but I saw it and it’s fucking great. I mean it was crude and I’m gonna probably refine it, you know…

…but on the bad side…

I mean one of the things I think with all my movies, if I won the lottery last night you know, one day I’d love to open up a theme park like Disneyland with rides based on all my movies because I think that like when I did The Kid Stays in The Picture, to me it was like the Disneyland ride about Bob Evans. If Disneyland had a ride called Bob Evans The Kid Says in the Picture it’s that? When I did Chicago 10, I kept thinking this is a Chicago experience. This is like Space Mountain with like police coming out at you and whatnot. The same thing with Kurt Cobain, it’s what the Seattle music experience should be in a way. It’s going to be like this 3 dimensional visceral sort of sublime you know movie…ultimately I think the goal for that film is to make sort of a Catcher on the Rye for the next decade?

I love it that that last part is phrased as a question. Anyway, as wary as I am of the notion of a documentary modeled after a theme park ride seeking to usurp the greatest novel ever about teen alienation, I think I’m a little bit more troubled about a few statements Morgen makes which sound vaguely familiar. More after the jump.

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