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10 Box Office Champs That Are Also the Best Films of Their Year

10 Box Office Champs That Are Also the Best Films of Their Year

Christopher Campbell
By Christopher Campbell posted 11 months ago
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The fanboys are so serious about The Dark Knight being the best film of 2008 that if the Academy snubs the comic-book adaptation for a Best Picture nomination, they’re liable to storm the Kodak Theatre on February 22 in protest. But why should anyone be worried that it won’t get the nomination? It wouldn’t be much of a coup for the year’s top-grossing blockbuster to be named one of the five Best Picture candidates. In fact, since the very first Academy Awards, the top award has often been handed out to films that were #1 at the box office in their respective year. And the last time it happened was as recent as 2003, with The Lord of the Rings: The Return of the King.

Thanks to popular and talented filmmakers like D.W. Griffith, Walt Disney, David Lean and Steven Spielberg, it’s hardly uncommon for films to make money and earn critical respect. But this isn’t an opportunity to spotlight overrated top-grossing Best Pictures like Titanic, Rain Man and Rocky, which were decidedly not their year’s best films. Rather, this is a chance to ease the minds of fanboys just in case The Dark Knight doesn’t get the nod. Some of these blockbusters were indeed nominated for Best Picture, and a few even won the award, but some of them were both their year’s biggest moneymaker (in the U.S.) and best film (from the U.S.) without gaining proper Academy recognition.

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The Rock + Klaus Kinski = Lust: Jerking Off To Genre

The Rock + Klaus Kinski = Lust: Jerking Off To Genre

Lauren Wissot
By Lauren Wissot posted 1 year ago
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Documentaries and socially-relevant foreign films are sexy, too! Here are my picks for five international hotties who, no matter the plot, create a private porn of their own.

Sociopolitical Drama: Lior Ashkenazi, Walk On Water

Who is Lior Ashkenazi?  I have no idea.  What I do know is that finally getting around to watching American-born Israeli director Eytan Fox’s 2004 Walk On Water, starring the incredible Israeli hunk Ashkenazi as a Mossad agent who finds himself intertwined in the lives of the grandson and granddaughter of a fugitive Nazi he’s assigned to capture, I realized I haven’t wanted to lay a movie star this bad since I first laid eyes on Daniel Craig’s 007.  The sturdy-bodied, raven-haired Marlboro Man with magnetic eyes and a chin both chiseled and Travolta dimpled is so mesmerizing I can’t get his image out of my head – like a catchy techno tune stuck on endless repeat.  The film itself is a fascinating character study for the first hour – until the characters leave the Holy Land for Berlin, wherein the plot descends into ludicrous soap opera melodrama complete with Deutsche drag queens and Jean-Claude Van Damme damage (and Bruce
Springsteen’s annoying “Tunnel of Love” stuck on endless repeat).  But none of this really matters because it’s also got – Lior Ashkenazi!  (And just to make me more hot and bothered he even gets naked, the camera caressing his hirsute chest – before he soaps up another man.  And the character is straight.  Continue reading while I take a cold shower.)

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