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ART & COPY Director Doug Pray Interview, Sundance 2009

Kevin Kelly
By Kevin Kelly posted 10 months ago
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Art & Copy

Doug Pray has directed documentaries ranging from Hype!, about the exploitation of the grunge music scene in Seattle, to Infamy in 2005, about graffiti culture, to last year’s Surfwise, about the surfing Paskowitz family and their eccentric patriarch. Pray’s Sundance premiere Art & Copy is a scattershot look at some of the pillars of advertising including George Lois, Lee Clow, Dan Wieden, Mary Wells, David Kennedy, and the big campaigns they’ve worked on, such as Apple’s 1984, the Got Milk campaign, Nike’s “Just Do It,” and more. We talked to Pray about his planned move into narrative filmmaking, making an ad for ads, and “growing flowers in hell.”

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Art and Copy Review, Sundance 2009

Art and Copy Review, Sundance 2009

Paul Moore
By Paul Moore posted 10 months ago
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On the surface, Art & Copy is a tribute to legendary creative minds in advertising, and the process through which they made their most iconic ads. From taglines that became pop touchstones like “Just Do It” and “Got Milk?” to how Mac, Budweiser and Volkswagon went beyond their product and became “lifestyle brands,” the charismatic advertisers share how it happened from their point of view, which smacks of self-mythologizing. Not only does the director, Doug Pray, appear to completely buy the mythology presented, but when the film raises moral and ethical questions about advertising, I’m not sure he realizes the questions are even there.

The documentary follows a simple structure. An advertising legend (Hal Riney, George Lois, Dan Wieden, David Kennedy, Mary Wells, Rich Silverstein, Jeff Goodby, Lee Clow among others) tells a story or expounds on creativity. Between each story is a meditative sequence that harkens back to Koyaanisqatsi: billboard scaffolding, a city highway, a satellite being constructed –the real concrete and steel lattice work advertising travels to get to us. Usually, over these images a disturbing statistic pops up like, “We receive 5,000 advertising messages a day.” Often, the images include workaday drones putting up billboards or sitting at banks of computers monitoring satellites. Then there’s a statistic revealing how absurd post-modern life has gotten like,  “Children receive a zillion advertisements before they’re potty trained.” Paradoxically, these statistics are always followed by another ad executive sitting in an architectural masterpiece of a workspace talking about the power of creativity and how they harnessed it to the betterment of the world.

After a while, it becomes apparent that Pray’s desolate shots of satellites, billboards, highways and cables with the creepy statistics superimposed continually beg a question that won’t be answered: And do you, rebel/artist/advertising billionaire, feel complicit in creating this consumer madness? This massive spider web where we’re sold stuff from the time we open our eyes to the time we close them?

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