Having missed the launch whilst on vacation, I finally sat down last night and watched all three episodes of Joss Whedon’s musical web miniseries Dr. Horrible’s Sing-Along Blog back-to-back-to-back. I had two major notes:
1. When did Joss Whedon and Michael Mann become the same guy? Dr. Horrible is a lone wolf anti-hero whose single-minded devotion to his professional obligation to save a small corner of the world (in this case, by way of organized evil) makes the very concept of romance inconvenient. Sound familiar?
“Why did she talk to me now?” Billy/Dr. Horrible laments, after prospective love interest Penny makes contact right as he’s about to jump start an evil mission. This segues directly into a song with the refrain, “A man’s gotta do what a man’s gotta do.” What Whedon does is the self-mocking, defeatist, loveable loser version of what Mann does, in terms of love as a blight on the record of men who should be above it.
This leads me to my second though, regarding Dr. Horrible’s controversial ending:
