I’ve spent the morning combing the various Sundance line-up overviews, wherein reporters for a variety of publications digest the four competition line-ups announced yesterday in an attempt to find an overarching theme/predictive slant which they can then hand-deliver to their mainly mainstream audiences. One thing I’ve learned: such stories should never be read back-to-back.

“Sundance’s writers and directors are turning toward more uplifting narratives,” writes John Horn in the LA Times. Oh good! Oh, but wait — according to USA Today, “The comedies are dark, and the dramas are even darker at the annual showcase of low-budget moviemaking.” What am I supposed to believe?

But seriously, folks. One observation from Horn’s story is worth a ponder:

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